Presented are several approaches to motivate students who are reluctant to get involved in art projects: experimental, creative competition, mechanical, utilitarian, complementary (interdependent), illusory, rhythmical, and the creatures and caricature approach. (KC)

Responding to a definition of creativity, 449 Chinese language teachers identified imagination foremost, followed by inspiration and original ideas as a component of effective writing. Teachers identified developing student confidence and providing an open atmosphere as essential means of fostering creativity. The majority of teachers, however,…

Traces the longitudinal development of creative thinking in music education. Contends that creativity in students is enhanced by building on the natural process of sound exploration. Suggests strategies for teaching music to very young children, and presents ways to foster creativity in students. (RW)

Argues that, as the world becomes increasingly less human and more technocratic, staying in contact with whatever is humane requires conscious effort. Suggests the use of poetry writing assignments as a means of preserving children's inventiveness and imagination. Provides examples of poems written by schoolchildren. (SG)

Disadvantaged Filipino children (ages 5-6) who were fast learners were given 20 sessions (n=7) or 46 sessions (n=8) of training in creative activities, using such techniques as brainstorming, figural/verbal/physical exercises, and problem solving. Children exposed to more training activities over a longer period of time manifested gains in…

This article describes a process for increasing the quality of students' thinking through alternating from a quiet intuitive state to rational logical processing. The article provides specific teaching suggestions using guided imagery for students in grades K-2, grades 3-4, and grades 5 through college. (DB)

This article proposes an approach to teaching and learning in the university arts sector that is able to accommodate and assess creative process alongside practice. In arguing thus, romanticized notions of "the spontaneous artist" are exposed to scrutiny, and the creative process itself is made subject to analysis. Notwithstanding its focus on the…

The Media Lab of the Massachusetts Institute of Technology is featured. The 21-year-old center is an ongoing experiment in how electronics can shape the future, and it helped pioneer digital videography and computer multimedia capabilities, among other innovations. So it's no surprise that it is home to Lifelong Kindergarten, a high-tech…

The developer of a one-semester course in creative thinking for university undergraduates, which was later adapted for adult students, describes the course, suggests ways a teacher may unlock blocks to creativity, and offers some learning activities designed to stimulate creativity in any classroom. Selected references are given. (AJ)

The authors cite the personal characteristics of creative individuals and the behavior of teachers which inhibits student creativity before focusing on their main topic: ways to promote creativity in the home economics curriculum. (AG)

Factors that are closely related to creative behavior are also intimately connected with language learning and the ability to communicate in languages other than one's own. These factors are fluency; flexibility; elaboration; originality; sensitivity to problems; and the ability to synthesize and analyze, to reorganize an idea, to handle…

FIVE PRINCIPLES FOR ENCOURAGING CREATIVE THINKING ARE TO TREAT QUESTIONS WITH RESPECT, TO TREAT IMAGINATIVE IDEAS WITH RESPECT, TO SHOW PUPILS THAT THEIR IDEAS HAVE VALUE, TO PERMIT PUPILS OCCASIONALLY TO DO SOMETHING FOR FUN OR PRACTICE WITHOUT THREAT OF EVALUATION, AND TO TIE IN EVALUATION WITH CAUSE AND CONSEQUENCES. DR. E. PAUL TORRANCE'S…

An account of an "intensive writing" experiment to stimulate and teach secondary students to write freely and creatively is given in this book. The experimental teaching method which stresses emotion, brevity, simplicity, and honesty is described, as well as the stimulus used for each writing lesson, the results obtained, and the children's…

A creative-aesthetic approach to school readiness and beginning reading and arithmetic, as formulated by Fortson, was used with 24 kindergarten children. Two control groups included 39 children. Two replications of the study were made, each having two experimental groups. Experimentals scored signifcantly higher on tests of creative thinking,…