NotesFAQContact Us
Collection
Advanced
Search Tips
Laws, Policies, & Programs
Goals 20001
Assessments and Surveys
Raven Progressive Matrices1
What Works Clearinghouse Rating
Showing 136 to 150 of 332 results Save | Export
Peer reviewed Peer reviewed
Direct linkDirect link
Elliott, David J. – Music Educators Journal, 2012
If music education is going to meet its full potential in the twenty-first century, then people may need to rethink their assumptions about the central values of school music. The author fully supports all effective, educative, and ethical ways of teaching and learning music, as well as students' critically reflective and democratic engagement…
Descriptors: Teaching Methods, Music Education, Music, Citizenship
Peer reviewed Peer reviewed
Direct linkDirect link
Louth, Paul – Philosophy of Music Education Review, 2013
This paper considers the issue of computer-assisted composition in formal music education settings from the perspective of critical theory. The author examines the case of MIDI-based software applications and suggests that the greatest danger from the standpoint of ideology critique is not the potential for circumventing a traditional…
Descriptors: Music Education, Musical Composition, Computer Uses in Education, Educational Technology
Peer reviewed Peer reviewed
Direct linkDirect link
Holmes, Alena; VanAlstine, Sharri – Music Educators Journal, 2014
International-mindedness is defined in many different ways in education discourse. Some of the definitions include the ability to be open-minded and respectful of cultures and peoples or having an awareness of the interconnectedness of people not only intellectually but also with growing empathy. Do music educators have any role in helping…
Descriptors: Interdisciplinary Approach, Music Education, Teaching Methods, Global Education
Peer reviewed Peer reviewed
Direct linkDirect link
LoPresto, Michael C. – Physics Education, 2014
What follows is a description of a theoretical model designed to calculate the playing frequencies of the musical pitches produced by a trombone. The model is based on quantitative treatments that demonstrate the effects of the flaring bell and cup-shaped mouthpiece sections on these frequencies and can be used to calculate frequencies that…
Descriptors: Musical Instruments, Musical Composition, Program Descriptions, Models
Peer reviewed Peer reviewed
Direct linkDirect link
Yoo, Hyesoo; Kang, Sangmi – General Music Today, 2014
The purpose of this article is to introduce the characteristics of Korean rhythmic patterns and provide effective ways to teach Korean rhythms based on the theoretical and pedagogical approaches derived from 5,000 years of Korean musical tradition. First, we have provided the fundamental principles of Korean rhythms that represent the culture from…
Descriptors: Music, Music Education, Teaching Methods, Asian Culture
Peer reviewed Peer reviewed
Direct linkDirect link
Menard, Elizabeth – Music Educators Journal, 2013
Creativity can be experienced in many roles of musicianship: performing, improvising, and composing. Yet, activities that encourage creative thought in our music classrooms can be a challenge to implement. A strong music education curriculum for middle school general music is important; as this may be the last time we reach students who do not…
Descriptors: Creative Thinking, Creativity, Music Education, Music
Peer reviewed Peer reviewed
Direct linkDirect link
Despeaux, Sloan Evans – PRIMUS, 2015
Oulipo (Ouvroir de Littérature potentielle, or Workshop on potential literature), an over 50-year old movement that began in France, seeks to apply mathematical constraints to literature and the arts. In this article, I will give a brief survey of this movement and how I have built a learning module based on it for my mathematics for the liberal…
Descriptors: Mathematics Instruction, College Mathematics, Undergraduate Study, Teaching Methods
Peer reviewed Peer reviewed
Direct linkDirect link
Lum, Chee-Hoo; Stromberg, Dirk; Xueyan, Yang – Research Studies in Music Education, 2014
The purpose of this research study is an examination of a music artist-teacher's pedagogical approaches and practices in teaching composition to a Year 5 IB (International Baccalaureate) class in a Singaporean specialized arts school. The study is approached as a qualitative case study spanning a 5-month period involving observation and recording…
Descriptors: Foreign Countries, Music Education, Teaching Methods, Educational Practices
Peer reviewed Peer reviewed
Direct linkDirect link
Ruggiero, Diana M. – Hispania, 2015
This study presents strategies for teaching highland Afro-Ecuadorian culture and for broaching the topic of race and racism through the documentary film "Más allá del fútbol." Produced in 2008 by the author, this film explores "afrochoteño" identity and culture as well as the issues of race and racism in Ecuador through a…
Descriptors: Films, Spanish, Blacks, History
Peer reviewed Peer reviewed
Direct linkDirect link
Lewis, Rebecca – British Journal of Music Education, 2012
What is composing and how is it valued? What does a good education in composing look like; what constraints hinder it and is it possible to overcome such constraints? Can composing be a personal, creative and valuable activity for the school student? What role does the teacher play in all of this? These are questions that I discuss in this…
Descriptors: Reflective Teaching, Music Teachers, Music, Musical Composition
Peer reviewed Peer reviewed
Direct linkDirect link
Anderson, William Todd – General Music Today, 2012
The methods of the Dalcroze approach to music education--eurhythmics, solfege, and improvisation--have had a profound influence on modern music education. In particular, the overt training in kinesthetic abilities, and the assertion that the relationship between music and movement is an intimate one, is at the heart of Dalcroze's approach to…
Descriptors: Music Education, Music, Creative Activities, Kinesthetic Perception
Peer reviewed Peer reviewed
Direct linkDirect link
Abramo, Joseph Michael; Austin, Stephen C. – Research Studies in Music Education, 2014
By exploring "the trumpet" as a metaphor, a successful mid-career instrumental teacher and a teacher educator jointly conducted a narrative inquiry into pedagogy used with a high school composition class. In particular, they focused on the dilemmas that arose when, within this class setting, the instrumental teacher implemented informal…
Descriptors: Music Education, Music Teachers, High Schools, Secondary School Teachers
Peer reviewed Peer reviewed
Direct linkDirect link
Hartz, Barry; Bauer, William – Contributions to Music Education, 2016
The purpose of this mixed methods study was to examine the effect of ear playing instruction on adult amateur wind instrumentalists' musical self-efficacy. Ten volunteer members of a community band in a small town in Ohio completed the "Ear Playing Profile" both prior to and following an eight-week period of instruction in playing by ear…
Descriptors: Musical Instruments, Music, Music Education, Auditory Training
Peer reviewed Peer reviewed
Direct linkDirect link
Steele, Meg – Social Education, 2014
Sheet music, song lyrics, and audio recordings may not be the first primary sources that come to mind when considering ways to teach about changes brought about by technology during westward expansion, but these sources engage students in thought provoking ways. In this article the author presents a 1917 photograph of Mountain Chief, of the Piegan…
Descriptors: Student Interests, Primary Sources, American Indian Culture, American Indian History
Peer reviewed Peer reviewed
Direct linkDirect link
Freund, Don – Philosophy of Music Education Review, 2011
Composition is learned by discovering that musical ideas can be experienced in a variety of ways, and that new musical ideas can be created by reconfiguring learned materials in new contexts. The act of imagining, defining, and communicating unique musical ideas awakens in young people a dormant part of their brains, unlocking an awareness of the…
Descriptors: Music Teachers, Musical Composition, Music Education, Brain
Pages: 1  |  ...  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  ...  |  23