Descriptor
| Jazz | 7 |
| Music Education | 7 |
| Musical Composition | 7 |
| Teaching Methods | 7 |
| Music Techniques | 6 |
| Improvisation | 5 |
| Elementary Secondary Education | 4 |
| Creativity | 3 |
| Applied Music | 2 |
| Instructional Materials | 2 |
| Learning Strategies | 2 |
| More ▼ | |
Author
| Baker, David N. | 1 |
| Bitz, Michael | 1 |
| Day, Michael | 1 |
| Kratus, John | 1 |
| Meadows, Eddie S. | 1 |
| Nolan, Evonne | 1 |
| Zentz, Laurie | 1 |
Publication Type
| Journal Articles | 7 |
| Reports - Descriptive | 5 |
| Guides - Classroom - Teacher | 3 |
| Opinion Papers | 2 |
Education Level
Audience
| Practitioners | 6 |
| Teachers | 5 |
Location
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating
Peer reviewedBaker, David N. – Music Educators Journal, 1980
The author suggests that instruction in musical improvisation can serve any student interested in music. Improvisation is defined, teaching suggestions are presented, and selected resources for teaching with improvisation are included. The emphasis is on jazz, though most information is applicable to other kinds of improvisation. (KC)
Descriptors: Applied Music, Educational Resources, Jazz, Music
Peer reviewedMeadows, Eddie S. – Music Educators Journal, 1991
Offers suggestions for students and teachers for learning jazz improvisation. Discusses listening, practicing scales, chords, phrasing, developing a sense of swing, and shaping creative ideas through structural features. Emphasizes the relationship between chords and scales as a critical key to improvisation. Recommends educational materials to…
Descriptors: Creativity, Improvisation, Jazz, Learning Strategies
Peer reviewedZentz, Laurie; And Others – Music Educators Journal, 1992
Presents a collection of teachers' ideas on instruction for musical improvisation. Includes suggestions for ascending grade levels, spontaneous composition, and creation of sound maps. Recommends making technique training fun and creative through improvisation. Suggests that children be taught to think in sounds and to experiment with variations.…
Descriptors: Cooperative Learning, Creativity, Elementary Secondary Education, Improvisation
Peer reviewedKratus, John – Music Educators Journal, 1991
Discusses improvisation as a phenomenon. Offers suggestions for a learning sequence. Warns against allowing students to skip levels. Identifies developmental levels of improvisation as exploration, process-oriented, product-oriented, fluid, structural, stylistic, and personal improvisation. Urges that improvisation can and should be a meaningful…
Descriptors: Creativity, Elementary Secondary Education, Higher Education, Improvisation
Peer reviewedBitz, Michael – Music Educators Journal, 1998
Discusses how to teach improvisation to younger students by utilizing genres other than jazz, such as bluegrass, blues, ska, reggae, rap, klezmer, and rock. Describes each of these genres and gives a sequence of six steps to help music teachers organize classroom improvisation. (CMK)
Descriptors: Critical Thinking, Harmony (Music), Improvisation, Jazz
Day, Michael – Teaching Music, 1995
Provides some tips on jazz instruction for the beginning music educator who may not have had much experience in that field. Specifically recommends teaching guide tones, the root, third, and seventh chords, as an invaluable aid to jazz improvisation. Includes musical notation showing guide tones for two jazz standards. (MJP)
Descriptors: Class Activities, Elementary Secondary Education, Improvisation, Instructional Improvement
Nolan, Evonne – Teaching Music, 1995
Profiles Wynton Marsalis and discusses his work with children and music. Describes the motivation behind, and development of, the Public Broadcasting System's four-part special "Marsalis on Music." Marsalis discusses his early exposure to music and the influence of his parents. (MJP)
Descriptors: Applied Music, Bands (Music), Elementary Secondary Education, Instructional Innovation


