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Clennon, Ornette D. – International Journal of Music Education, 2009
Despite national initiatives in the UK such as Creative Partnerships, an organization formed in 2002 for exploring creative approaches to learning in the classroom, there is still a gap between aspiration and practice. This is especially evident in the teaching of musical composition in primary schools, partly because there seems to be a profound…
Descriptors: Classroom Techniques, Music, Musical Composition, Educational Resources
Turner, K. C. Nat – Educational Forum, 2012
This study draws on ethnographic data from a year-long multimodal media production (MMP) course and the experience of an African American female adolescent who used the production of multimodal Hip Hop texts to express her creativity and growing socially conscious view of the world. The study demonstrates how students made meaning multimodally and…
Descriptors: Females, Ethnography, Urban Schools, Small Schools
Peer reviewedBaker, David N. – Music Educators Journal, 1980
The author suggests that instruction in musical improvisation can serve any student interested in music. Improvisation is defined, teaching suggestions are presented, and selected resources for teaching with improvisation are included. The emphasis is on jazz, though most information is applicable to other kinds of improvisation. (KC)
Descriptors: Applied Music, Educational Resources, Jazz, Music
Peer reviewedWelwood, Arthur – Music Educators Journal, 1980
The author believes the goal of composing and improvising music is to become involved in the creative selection and arrangement of music, and to develop skills in self-evaluation and constructive self-criticism. He describes approaches to teaching composition through improvisation with "found" instruments. Selected readings and…
Descriptors: Applied Music, Educational Objectives, Educational Resources, Elementary Secondary Education
Montgomery County Public Schools, Rockville, MD. Dept. of Curriculum and Instruction. – 1978
The booklet is a guide for music teachers and administrators who wish to incorporate electronic music into the junior or senior high curriculum. It defines program objectives and suggests goals, teaching strategies, materials, and equipment. Reasons for teaching electronic music include its popularity with the younger generation, its capability to…
Descriptors: Acoustics, Audio Equipment, Audiotape Recordings, Course Descriptions
Massachusetts State Dept. of Education, Boston. Bureau of Curriculum Services. – 1973
The guide presents learning objectives, course outlines, and resource lists for music courses in grades seven through 12. There are three major sections. Section one outlines required music programs and instrumental and choral programs for junior high students. The major objective is to orient students aesthetically to music and to develop skills…
Descriptors: Aesthetic Education, Affective Objectives, Bands (Music), Choral Music

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