The purpose of this narrative action research study was to tell Marcus's story as an ensemble director learning how to teach composition in his middle school orchestra program. Marcus collaborated with Sam, a university professor, and designed a study to examine his teaching in his 49-member advanced orchestra class. As time passed, the focus of…

Music is a unique form of verbal stimuli (Reynolds & Hayes, "The Psychological Record," 67(3), 413-421, 2017) and the literature has indicated some success in using procedures involving the frame of coordination or stimulus equivalence to teach early piano skills to learners with and without autism spectrum disorder (ASD; Hill et…

Online distance learning, a modern educational practice, has influenced music pedagogy in the past several decades. It involves synthesizing interdisciplinary studies in philosophy, music, technology, and sociology. In this study, an integrated approach has been developed to create a unique curriculum for an online group piano course in a…

The curriculum used in amateur and professional piano education is shaped according to the physical and mental state of the students. Easy access to piano literature that can be used in case of one hand and/or one arm disability is important in terms of contributing to the students and piano instructors. For this reason, it is aimed to determine…

Anthony Johnson Showalter (c. 1853-1924) was a music educator, gospel composer, publisher, and considered a pioneer in gospel music and education in the late nineteenth century and early twentieth century. Showalter is notably mentioned in numerous texts and studies related to gospel music; however, little data has been collected regarding the…

Recent curriculum policy changes in British Columbia (BC) require that educators in all subject areas--including music--embed local Indigenous knowledge, pedagogies, and worldviews in their classes. Yet facilitating such decolonizing cross-cultural music education activities requires knowledge that music educators may not currently possess. We use…

This study is about music teaching strategies for students with low vision, including blindness. Based on a two-case ethnographic design, this study focuses on understanding what decisions in terms of activities, lesson plans, and curricula, six participants from two different schools adopted for their students, as well as how these decisions…

There is an expected increase in the need to provide adequate string-specific training for non-string specialists in the future and for preservice music teachers to develop the requisite pedagogical content knowledge to teach a variety of instruments. A multiyear instrumental lab ensemble university course was designed to help preservice music…

Cultural hegemony permeates society and is spread through social institutions. These institutions socialize people into the norms, values and beliefs of the dominant social groups. Moreover, cultural hegemony is spread and perpetuated through education in the form of compulsory education, a national curriculum, national assessments, as well as the…

Over the past several decades, music education scholars have put forth a variety of convincing rationales for world music education. Yet the gap between theory and practice in this area persists. In theoretical ways, practicing music educators acknowledge the value of world music learning experiences, but many remain reluctant to fully embrace and…

This article focuses on selected outcomes of the European Association of Conservatoires (AEC) "Polifonia" Working Group for Instrumental and Vocal Teacher Training in Europe (2007-2010). The introduction provides the background to the project, explains the rationale and objectives, describes the research process and gives an overview of…

Music teachers, like their colleagues in other fields, are living through a paradoxical time in schools. Currents of change in education and society seem to pull teachers in contradictory directions. Nowhere is this flux more apparent than in curriculum. While teachers are called upon to differentiate teaching approaches to meet the diverse needs…

The Recorded Aid for Braille Music is designed to teach instrumental music to visually handicapped students through the integration of tape recordings with established methods of reading braille music notation and playing by ear. Packages of instructional materials for clarinet, flute, alto saxophone, trumpet, and trombone contain the recording,…

The three approaches of Carl Orff, Zoltan Kodaly, and Shinichi Suzuki to early childhood education can be successfully fused to provide a foundation for a total music curriculum from the nursery to secondary school. Basically, Orff suggests that rhythmic patterns should be experienced in children's natural language as they improvise melodies and…

Suggests that the bias linking guitars to popular culture has needlessly limited approaches to teaching guitar. Examines how each of five current programs develops different music skills. Advocates a comprehensive, multifaceted program capable of emphasizing student skills in melody, harmony, perception, creativity, and performance over six years…