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Dawn Joseph; A. Cabedo-Mas; R. Nethsinghe – Intercultural Education, 2024
Valuing diversity in education and educational research is at the heart of higher education institutes. This research takes place in Australia, a multicultural society that is still predominantly Western Anglo-Celtic. Through blended modes of delivery, this paper focuses on three tertiary educators collaborative autoethnographic voices sharing how…
Descriptors: Teacher Education Programs, Cultural Pluralism, Blended Learning, Teacher Collaboration
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Clauhs, Matthew; Pigott, Jasmine – Music Education Research, 2021
The purpose of this case study was to examine the perspectives of three Black instrumental music students related to their experiences attending a predominantly white summer music camp for high school students in the United States. Analysed through a conceptual model of culturally responsive teaching in music, data sources included semi-structured…
Descriptors: Student Attitudes, Summer Programs, Camps, Music Education
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Lloyd McArton – Visions of Research in Music Education, 2020
Through the concept of musical practices, adapted from Wenger's (1998) notion of practice within a community, this paper explores ways in which universities could develop and equalize multiple and diverse musical practices into constellations. Providing future music educators with opportunities to engage and participate in a variety of musical…
Descriptors: Music Teachers, Music, Music Education, Teacher Education Programs
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de Villiers, Alethea Cassandra – International Journal of Music Education, 2021
Cultural hegemony permeates society and is spread through social institutions. These institutions socialize people into the norms, values and beliefs of the dominant social groups. Moreover, cultural hegemony is spread and perpetuated through education in the form of compulsory education, a national curriculum, national assessments, as well as the…
Descriptors: Music Education, Curriculum Development, National Curriculum, Educational Philosophy
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Mellizo, Jennifer M. – General Music Today, 2019
Over the past several decades, music education scholars have put forth a variety of convincing rationales for world music education. Yet the gap between theory and practice in this area persists. In theoretical ways, practicing music educators acknowledge the value of world music learning experiences, but many remain reluctant to fully embrace and…
Descriptors: Music, Music Education, Teaching Methods, Foreign Countries
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Blom, Diana – Australian Journal of Music Education, 2016
This study investigates the compositional and contextual thinking of composer, Stuart Greenbaum, and the preparatory thinking, and teaching experience of pianist, Yvonne Lau, in the preparation of the solo piano work, "First Light". Adopting a practice-informed interview approach with questions drawn from the researcher's own preparation…
Descriptors: Music Education, Musical Composition, Learning Processes, Interviews
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Han, Ruochen; Leung, Bo Wah – International Journal of Music Education, 2017
In mainland China, the implementation of the junior secondary school's music curriculum is highly dependent on music teachers' attitudes towards music and music education. This study investigated the possible relationship between teachers' attitudes towards teaching Chinese folk music and their music teaching practice in junior secondary schools…
Descriptors: Foreign Countries, Teacher Surveys, Teacher Attitudes, Folk Culture
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Sirek, Danielle – Action, Criticism, and Theory for Music Education, 2016
The role of music in Grenada, West Indies has traditionally been to pass on knowledges, values, and ideals; and to provide a means of connecting to one another through expressing commonality of experience, ancestry, and nationhood. This paper explores how Eric Matthew Gairy, during his era of political leadership in Grenada (1951-1979), exploited…
Descriptors: Foreign Countries, Music, Music Education, Case Studies
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Webb, Michael – Music Education Research, 2008
In western musical contexts at global and local levels, musicians are becoming increasingly involved in what might be termed multicode music making and are expanding their musical competences. In this article I consider the practical and cognitive implications of such an expanding of competences for music education at various levels. Combining…
Descriptors: Music Education, Musicians, Music Teachers, Cultural Pluralism
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Burton, J. Bryan; Clements, Ann C. – General Music Today, 2004
In the fourteen years since the 1990 MENC preconference symposium Multicultural Approaches to Music Education in Washington, DC, music educators have come to recognize the need to include a variety of world musics in all music curricula, from elementary classrooms to advanced performing ensembles. Accordingly, there has been a significant increase…
Descriptors: Multicultural Education, Cultural Pluralism, Teaching Methods, Instructional Materials
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McCord, Kimberly A. – General Music Today, 2004
Illinois State University (ISU), located in central Illinois, serves a large population of rural, suburban, and urban students. students are predominantly white. The music education curriculum requires multicultural music study, and students have opportunities for authentic experiences. During the semester before this course, students in…
Descriptors: Foreign Countries, Teaching Methods, Preservice Teachers, Music
Rowman & Littlefield Education, 2005
This publication provides orchestra teachers with techniques for conducting, choosing repertoire, program development, recruiting, playing styles, and preparing for competitions. It is the latest in MENC's popular Spotlight series, comprising articles that have appeared in state MEA journals. It is made up of 9 sections, and has a total of 53…
Descriptors: Program Development, Musicians, Music Activities, Music Teachers
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Gillett, Dorothy K. – Music Educators Journal, 1972
Hawaiian music has developed from the simple chant and accompanying hula to choral singing and the use of the guitar and ukulele. Article also presents a compositional and choreographic analysis of Hawaiian music. (RK)
Descriptors: Acculturation, Cultural Influences, Cultural Pluralism, Elementary School Students
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Rogers, Jim – OAH Magazine of History, 1990
Shows how studying sources of popular music and instruments help students understand historical patterns of immigration and geography. Presents lessons and materials for exploring origins of popular musical instruments and music that developed in the United States from other cultures. Includes several related classroom activities, recommended…
Descriptors: Cultural Pluralism, Ethnic Groups, Geography Instruction, Global Approach