Publication Date
| In 2026 | 0 |
| Since 2025 | 0 |
| Since 2022 (last 5 years) | 0 |
| Since 2017 (last 10 years) | 2 |
| Since 2007 (last 20 years) | 3 |
Descriptor
| Active Learning | 3 |
| Music | 3 |
| Music Education | 3 |
| Musical Instruments | 3 |
| Teaching Methods | 3 |
| Constructivism (Learning) | 2 |
| Foreign Countries | 2 |
| Popular Culture | 2 |
| Alumni | 1 |
| Coaching (Performance) | 1 |
| College Faculty | 1 |
| More ▼ | |
Publication Type
| Journal Articles | 3 |
| Reports - Research | 2 |
| Reports - Descriptive | 1 |
Education Level
| Early Childhood Education | 1 |
| Elementary Education | 1 |
| Higher Education | 1 |
| Junior High Schools | 1 |
| Kindergarten | 1 |
| Middle Schools | 1 |
| Postsecondary Education | 1 |
| Primary Education | 1 |
| Secondary Education | 1 |
Audience
Location
| Australia | 1 |
| United Kingdom | 1 |
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating
Lee, Daniel; Baker, William; Haywood, Nick – Australian Journal of Music Education, 2019
Research suggests graduates from music courses in Australian tertiary institutions typically undertake portfolio careers that include a combination of performing and teaching. Both of these activities could have ongoing artistic ripple effects on the musical communities the graduates inhabit. This paper reports on a qualitative post-graduate…
Descriptors: Foreign Countries, Music Education, Teaching Methods, Popular Culture
Burton, Suzanne L. – Music Education Research, 2017
In this study, I explored children's development of rhythmic music literacy using a language acquisition paradigm. An emergent, constructivist curriculum was implemented over one academic year with 39 children, 5-8 years old. Children were involved in audiation-based active listening, singing, moving, chanting, and playing instruments and engaged…
Descriptors: Teaching Methods, Music Education, Music, Literacy
Hall, Richard – International Journal of Music Education, 2015
Ensemble work is a key part of any performance-based popular music course and involves students replicating existing music or playing "covers". The creative process in popular music is a collaborative one and the ensemble workshop can be utilised to facilitate active learning and develop musical creativity within a group setting. This is…
Descriptors: Music, Popular Culture, Workshops, Musical Instruments

Peer reviewed
Direct link
