The article suggests that creativity is the interaction of external and internal input, resulting in a unique, purposive, and communicable product. Facilitation of creativity is considered. (CL)

The author argues that because vocational students are similar to artists in their creative patterns, they will benefit from the artistic skills of developing style, appreciating and critiquing surroundings, producing pleasing work, and creating social contribution. Research applying skills to vocational needs and teaching methods structuring…

Two ways of stimulating creativity--meditation and structured physical movement--bring a new dimension to the teaching of composition by encouraging visualization and imagery, strengthening the integration of both hemispheres of the brain, and allowing the brain to rest. (HOD)

The article, excerpted from an interview with A. Lopez and C. Payne, focuses on research on creativity and giftedness among minority students. Also considered are teaching methods, programs and materials, identification, relationship between native language and creativity, and teacher preparation. (CL)

Recounts a personal experience as a first grader to illustrate the point that teachers must remember to encourage rather than stifle students' creativity. (NH)

A self-taught artist describes the creative process and a technique for developing one's intuitive drawing ability. The article identifies seven basic motifs derived from natural forms and illustrates how these motifs are used in the artist's work. (DB)

The intent of this article is to describe the basic processes used by the child in order to create and imagine; to explain the significance of objects for encouraging creativity, imagination, and intellectual growth; and to show how creative thinking is nurtured using the world of objects. Five reasons are advanced to support the claim that the…

Argues that in order to revitalize foreign language learning, language teachers must make every classroom a place where students can mold their personal tastes or apply the language to their own background and interests. Argues that language learning has a humanistic value in and of itself. (SED)

Asserts that the copying of artworks does not stunt a child's creative development; rather it can serve children, as it did many great artists, as a useful tool for the development of the technical and aesthetic skills necessary for creative expression. (SJL)

This discussion of creativity in its educational context first considers the role of the creative product, process, personality, and environment. A proposal for teaching student teachers to teach more creatively is offered. The approach stresses development of originality, fluency, abstraction, elaboration, and openness. (DB)

Creativity can be distinguished from intelligence, but there is no consensus on how the recognized stages of the creative act can be taught. The steps to rational thinking can and should be intentionally taught and rationality may prepare a base for unexpected creative insights. (DB)

Discussion of creativity in teachers of the gifted considers different kinds of creativity, techniques that promote creativity in students, the role of planning in creative teaching, and improvisational creativity during the teaching process. (Contains extensive references.) (DB)

Points on teaching students to be creative, practical techniques used to help creativity flourish, and the role of creativity in learning in the outdoor classroom are explored. Suggestions for encouraging creativity in the outdoors to occur are: to make use of the ample assortment of ways the outdoor environment can stimulate each student; to…

The individual uniqueness of every student forms the foundation for expressive activities. Our number one priority as art teachers is to assist our students in identifying their creative expressive potential. (Author/SJL)

Suggests two approaches to creative writing instruction that religion teachers can use to heighten students' awareness of themselves, others and the environment; to help them share their perspectives and develop the language to account for their experience; and to encourage their imagination. (DMM)