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Grace Doebler – Visions of Research in Music Education, 2021
The use of the ukulele in classrooms and communities is growing, and, as a result, so is meaningful musical engagement from people of all ages. In this collective case study, I described the perspectives of three different music teachers and discussed how they implement the ukulele in diverse settings. Research questions were (a) what factors…
Descriptors: Music Education, Music Teachers, Teacher Attitudes, Musical Instruments
Clauhs, Matthew; Sanguinetti, Rachael – Music Education Research, 2022
The purpose of this study was to examine the attitudes, values, and beliefs of New York music teachers towards the inclusion of popular music in the classroom. This research was guided by the following questions: (1) To what extent are K-12 teachers interested in teaching a variety of popular music instruments and styles?; (2) What attitudes and…
Descriptors: Music Teachers, Teacher Attitudes, Music Education, Popular Culture
Pablo Rodriguez Aedo – ProQuest LLC, 2021
This study is about music teaching strategies for students with low vision, including blindness. Based on a two-case ethnographic design, this study focuses on understanding what decisions in terms of activities, lesson plans, and curricula, six participants from two different schools adopted for their students, as well as how these decisions…
Descriptors: Music Education, Teaching Methods, Students with Disabilities, Visual Impairments
Powers, Keith – Teaching Music, 2013
Keeping one's self inspired in the music classroom is all about connections. Sometimes educators need to look at what they're doing from a different perspective. Luckily, there's no shortage of ways to revitalize one's classroom approach, and to help the author explores a few, he made use of some connections of his own, turning to five educators…
Descriptors: Teaching Methods, Music Education, Music, Singing
West, Chad; Cremata, Radio – Journal of Research in Music Education, 2016
Through the lens of hospitality, we explored the meanings that members constructed about their experiences within a blended formal/informal college music ensemble. The focus in this ensemble was not on competition and musical excellence but on independent musicianship and praxis. The bandleader had his roots in tradition but his heart in socially…
Descriptors: Music, Music Education, Musicians, College Students

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