This chapter explores the various relationships that exist between contradictions and creativity. The focus is education, with implications for both teachers and students. Contradictions are defined and contrasted with problems, disequilibria, and dilemmae. Product, place, personality, and process perspectives on creativity as also compared. The…

The concept of meta-creativity is defined and explored, with examples drawn from the long and productive career of Arthur Cropley. "Meta-creativity" may sound like jargon, but then again, given how meta is used in the sciences (e.g., "meta-analysis," "meta-cognition"), it is a perfectly apt term. It is the best label…

Expresses a view of creativity that posits that creativity is widely distributed, suggesting that nearly every individual has the mental capacity to construct the personal interpretations involved in creativity. Creativity is, then, something that can be found in every child. (SLD)

The impact of divergent thinking and ideational talent research on understanding young children's creativity is discussed, focusing specifically on use of particular topics or stimuli to facilitate divergent thinking; recognition of the influence of the setting, teacher, and feedback; and importance of recognizing both the quantity and the quality…

Originality is a necessary part of creativity, but creative things are more than just original. They also solve a problem, or more generally are somehow fitting or appropriate. Yet previous research found an inverse relationship between ratings of originality and ratings of appropriateness. The present investigation employed a different…

This paper cites reasons to be optimistic and to be concerned about the creative potential of at-risk and disadvantaged students. Reasons for optimism include the wide distribution of creative potential, the significant role played by motivation in creative performances, and the diverse expression of creativity. Reasons for concern include the…