This article critically examines the prevalent belief within music education that "music is for all," highlighting the incongruence between educators' intentions and students' lived experiences. Drawing on personal positionality and scholarly orientation, the author explores how music teachers may unintentionally disaffirm students'…

Discusses the impact of technology on music education and its implications for curriculum development. Recommends a curriculum for the musically gifted based on aural skills, electronic instructional tools, and a skilled musician as instructor. Offers suggestions on how this curriculum can be implemented and expounds on the use of electronic…

Discusses the rationale for magnet schools or programs and differentiates between a magnet school and a magnet program within schools. Discusses concerns of teachers, students, and administrators in relation to magnet schools and programs. Concludes that magnet programs can achieve the purposes for which they are established. (SLM)

Reviews the history of education for the gifted and talented. Defines giftedness as multifaceted including general intellectual ability, specific academic aptitude, creative and productive thinking, leadership ability, visual and performing arts, and psychomotor ability. Suggests that using better methods to identify gifted students points to a…

Emphasizes that music educators need to learn the terminology of the gifted and talented programs in order to be recognized as one source of such programs. Explains terminology such as enrichment, acceleration, differentiated curriculum, and the use of these terms in curriculum development. (SLM)

Suggests that the bias linking guitars to popular culture has needlessly limited approaches to teaching guitar. Examines how each of five current programs develops different music skills. Advocates a comprehensive, multifaceted program capable of emphasizing student skills in melody, harmony, perception, creativity, and performance over six years…