In this article, the author focuses on her experiences with genre analysis. This is not a new idea or assignment. But gearing the analysis specifically toward thinking about purpose significantly narrows the focus of a typical "here's what this genre is and who uses it" essay. Genre analysis asks students to think in-depth about one particular…

Describes the use of anonymous daily journal entries (edited and graded at the end of the semester) in a literature survey course to nurture individual inquiry without sacrificing coverage. Maintains that anonymity encourages students to take risks, raise questions, and evaluate and shape the course. (SR)

Describes strategies (including the use of multicultural reading materials) for helping culturally diverse students make personal connections with poetry and the creative process. (SR)

Describes how a teachers uses children's literature to immerse students in the living past. Presents students' poems and excerpts from student journals to document students' reactions to using historical fiction in the classroom. (RS)

Describes using the pastiche as the basis for a writing workshop with secondary students. Shows how students are afforded opportunities to explore and enter a rich tradition of imaginative invention and literary formulation as they probe, consider, select, and blend the works of various master writers and Mother Goose rhymes. (SR)

Describes a four-week poetry workshop for fifth and sixth graders that tied into the school's focus of study of ancient Egypt and Greece. Describes how the author read poems by Keats and Shelley to the students as they drew pictures while listening, and then wrote poems in response to their own art work. Includes 12 poems written by students. (SR)

Using an approach developed and refined over a combined 44 years of teaching, this book encourages literature teachers at the high school and college levels to empower their students as readers--and meaning-makers--of literature. The book presents results of a research study in which 288 students, ranging from junior high school to graduate…

Describes the author's teaching of satire as it evolved from a small part of a literature course to a semester-length course, valuing written and oral literature. Explains how technique has become central, and analysis has become a meaningful preliminary to students writing their own satires. (SR)

Describes the approach used with high school advanced placement English classes to a nature-writing project based on the work of Henry David Thoreau and Annie Dillard. (SR)

Describes the "shrinklit," a rhyming summary of a literary work which serves as an alternative to student book reporting. Suggests that shrinklits are enjoyable because they contain relatively sophisticated humor and are easy for secondary students to mimic. Provides examples of shrinklits written by students. (SG)

Describes an exercise to elicit student interpretations of Robert Wallace's poem, "Ungainly Things." (MM)

Describes two techniques that use poetry written by foreign language students to help them gain a greater understanding of poetry. The first technique elicits students' reactions to their own poetry, while the second approach uses students' poetry to teach about poetry. (CB)

Four principles are presented for teaching children, across age and grade levels, to write and enjoy writing: interrelating literature and writing, teaching writing as an intellectual rather than a mechanical process, emphasizing process over product, and teaching writing as a holistic process rather than a set of isolated skills. (PB)

Describes the use of character journals (a written diary kept by the reader who assumes the role of the main character) with a group of eighth-grade students. Shows how students think more about what they are reading and come away with a better sense of their own identity. (SR)