The main concern of this article is to introduce the concept of the authentic gesture as a vital, largely self-determined expression of the child and to make it fruitful for art education. Because of the assumed educational importance of the concept, some hints to other learning areas will also be given. This should be done from a historical and…

Although there is a great deal of research on students with disabilities, there has been little exploration of twice exceptional students, those who have both learning disabilities and gifts and talents. There are even fewer studies of twice exceptional students who are gifted and talented in the arts. This research was based on extensive…

Black creative educational experiences (BCEEs) are participatory, performative cultural experiences created by or for students, centering Black artistic expression, aesthetics, and engagement. Using African-centered frameworks, we provide a methodological guide for examining BCEEs in education research, which includes centering Black "ways of…

This qualitative study examines student musicians' perceptions of their performance and development resulting from Body Mapping (BMG) technique. BMG is a somatic (mind-body) education technique designed to teach musicians skills in self-evaluation and change for performing with sensory-motor integrity. A qualitative study guided by an…

Discusses the importance of art in the schools to students' cognitive and perceptual development. Suggests that art helps children evaluate visual images and provides a means of expression and an expanding awareness of the physical environment. (JAC)

Creative production of women as measured by their performance on six criterion task activities was studied with university women. The Something About Myself (SAM) inventory (Khatena & Torrance) was utilized as a pre- and post-test instrument to assess the perceived level of creativity. The self-report inventory resulted in a total creative…

Discusses the relevancy of visual arts programs to the development of the capacity for visual symbolizing. Explains the use of visual symbols to communicate at a very general level, to communicate accurately and specifically, and to communicate uniquely and expressively. Suggests schools not cut visual arts programs. (RC)

Examines the historical role of aesthetics in higher education and student affairs. Argues that aesthetic perception provides an alternative way of thinking about student development, cultural diversity, and the assessment of programs. Such values can add passion and vision to student affairs leadership and enable individuals to develop emotional…

Presents an art education model based on Elliot Eisner's three-domain model, emphasizing students' concept ownership and skill development. Criticizes late-modernism influenced practices, arguing creativity can be achieved only through tradition. Diagrams relationships between what art students learn in college and how they later teach. (KM)

This final report describes activities of Project PARTnership, a 3-year demonstration program to develop the self-determination and self-advocacy skills of young people with disabilities through increased participation in the arts. Key program elements included: (1) development of a new course and adaptation of existing curricula to increase…

This instructional kit outlines procedures for implementing Project PARTnership, a program for teaching students with disabilities greater self-determination skills through specifically designed arts experiences. An introductory section describes key project activities, including establishing a site steering committee comprised of teachers,…

Notes that teacher education programs have a blind spot where drama is concerned. Comments on Paideia Proposal suggestions regarding drama teaching and student participation. Discusses role of imaginative play in child development and role of drama in integration of knowledge, integration of emotions, and release of expression in all arts. (MH)