A course in performing organization in which pupils develop increasing performance skills individually and in ensemble, with emphasis on stylistic characteristics of the music studied is presented. Course objectives include: (1) The student will determine the basic metric pattern of selected played examples; (2) The student will count and clap the…

Discusses how teachers can incorporate musical composition into their classrooms by teaching students about aleatory, or chance, music. Provides a definition of aleatory music and provides various composing techniques, focusing on aleatory music. Includes lesson plans using aleatory music, such as the "Mozart Model" for grades 4-12. (CMK)

Focuses on ways to develop student creative thinking, improvisation, and composition skills in instrumental classes. Provides suggestions, such as the importance of offering students creative opportunities, supplying examples, giving control to students, and encouraging expressive integrity. Includes a bibliography of resources for developing…

Discusses the selection of material for vocal performances by high school students. Describes adolescent voices as young with little vocal technique and only partially developed or unused register. Includes considerations of breath management, tessitura, energy, subject matter, and language. Provides a list of songs meeting appropriate…

Describes how a 16-year-old African-American male, Tyrone, excelled in a mental-health day-treatment facility in which he was enrolled. Tyrone used the skills taught within the replacement-skills curriculum at the facility to compose a rap song that reminded him and his classmates how to react when faced with a difficult situation. (MKA)

Contends that speech ensembles can be useful in the music classroom, particularly at the middle school level, to help develop students' creative thinking, powers of expression, and skills in notation and counting. Offers five steps to guide students in creating speech ensembles that address the National Standards for Music Education. (CMK)

Maintains that the works of Grazyna Bacewicz foster musical growth and appreciation, increase students' technical skills, and expand their cultural horizons by acquainting students with the traditions of Poland. Explains that her compositions can be adapted to many different teaching approaches and tailored for students of all ages. (CMK)

Focuses on how important it is for teachers to understand music editorial practices. Explains that the knowledge can help them select appropriate performing editions of music for their classes. Provides background information on editorial practices and the philosophy and methodology behind them. Discusses the nature of primary sources. (CMK)

Discusses the meaning of creativity, focusing on music education. Emphasizes the four "p's" while examining the meaning of creativity: (1) the creative person; (2) the creative process; (3) the creative product; and (4) the creative place. Addresses how creative thinking can be at the center of teaching. (CMK)

Presents a collection of teachers' ideas on instruction for musical improvisation. Includes suggestions for ascending grade levels, spontaneous composition, and creation of sound maps. Recommends making technique training fun and creative through improvisation. Suggests that children be taught to think in sounds and to experiment with variations.…

Explores the factors that may influence the decisions made by students aged 9-15 years old as they chose musical sounds and constructed compositions. Indicates that age, formal music training, and aesthetic response to musical sounds are the primary factors affecting specific choices made in the compositional process. (CMK)

Music education supplementary material, presented in workbook form, for elementary grade students is designed to accompany "A New Introduction to Music Course." Emphasis is upon introducing students to staff notation and music symbols, and upon writing supplementary percussion parts. Included in the booklet are a number of music parts,…

Describes a unit used with sixth-grade students focusing on jazz and blues that taught improvisation. Discusses the different levels of improvisation that were used, providing the beginning activities, and describes activities that focus on the third level of improvisation called product-oriented improvisation. (CMK)

Contends that many violin students attempt difficult concertos before they are technically or musically prepared. Identifies a variety of concertos at the intermediate and advanced intermediate-level for students to study and master before attempting the advanced works by Bach and Mozart. Includes concertos by Vivaldi, Leclair, Viotti, Haydn,…

Contends that music teachers can assist their elementary students in composing music using Orff techniques and computer technology. Describes (1) a unit on musical composition that begins with information on rhythm, melody, and form, (2) a demonstration for using the equipment, and (3) the composition process. Addresses obstacles to overcome and…