In this article, the author argues that in many ways, developing instrumental practice techniques is an experiment with a sample of one. Musicians must learn which methods work best for them as individuals. This starts in the earliest stages of learning a musical instrument. Teachers offer suggestions: students discover how others are practicing,…

Addresses the importance of focusing on instrumental music basics for any age level of students. Describes three warm-up exercises to use with students that emphasize three skills: (1) breathing in and out properly; (2) practice with tonguing; and (3) practice with the finger technique. (CMK)

Provides a strategy from the book "Strategies for Teaching Middle-Level General Music" that addresses Standard 3C from the National Standards for Music Education in which students improvise melodies in various styles on the keyboard using the G-flat major and E-flat minor scales. Describes the procedure, indicators of success, and…

Many orchestra teachers have experienced feelings of panic when they first read the National Standards and realize that the coalition standard is for performance ensembles as well as general music classes. Teachers who are responsible for starting beginners or who teach intermediate players may wonder about the feasibility of teaching composition…

Offers performance technique tips for the recorder, some instructional strategies for generating student interest, and guidelines for the maintenance of recorders. Provides a list of publications, websites, and organizations in order to assist teachers in locating more information about how the recorder can become part of music education programs.…

Discusses the process of introducing the trombone to beginning students and addresses the issue of warming-up. Provides resources for beginning trombone methods, band methods, and daily warm-up studies. Includes resources for scale studies and etudes for beginning to intermediate trombone players. (CMK)

Stresses the importance for wind instrument players to have the skill called tonguing that is the ability to clearly articulate notes. Provides tips and guidelines for beginning and intermediate wind players to develop different types of tonguing and a learning sequence that offers students an introduction to multiple tonguing. (CMK)

Describes a unit used with sixth-grade students focusing on jazz and blues that taught improvisation. Discusses the different levels of improvisation that were used, providing the beginning activities, and describes activities that focus on the third level of improvisation called product-oriented improvisation. (CMK)