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Hosbach-Cannon, Carly Jo; Lowell, Soren Y.; Colton, Raymond H.; Kelley, Richard T.; Bao, Xue – Journal of Speech, Language, and Hearing Research, 2020
Purpose: To advance our current knowledge of singer physiology by using ultrasonography in combination with acoustic measures to compare physiological differences between musical theater (MT) and opera (OP) singers under controlled phonation conditions. Primary objectives addressed in this study were (a) to determine if differences in hyolaryngeal…
Descriptors: Singing, Physiology, Acoustics, Differences
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Guzman, Marco; Angadi, Vrushali; Croake, Daniel; Catalan, Christopher; Romero, Constanza; Acuña, Gabriela; Quezada, Camilo; Andreatta, Richard; Stemple, Joseph – Journal of Speech, Language, and Hearing Research, 2020
Purpose: The purpose of this study was to assess the effects of vocal function exercises (VFEs) on the physiologic range of the operatic voice. The primary outcome measure was total voice range profile (VRP) area. Method: Forty graduate-level opera majors were randomly assigned to experimental (training with VFE + vocal hygiene) and control (vocal…
Descriptors: Singing, Graduate Students, Physiology, Opera
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Baltes, Felicia Rodica; Avram, Julia; Miclea, Mircea; Miu, Andrei C. – Brain and Cognition, 2011
Operatic music involves both singing and acting (as well as rich audiovisual background arising from the orchestra and elaborate scenery and costumes) that multiply the mechanisms by which emotions are induced in listeners. The present study investigated the effects of music, plot, and acting performance on emotions induced by opera. There were…
Descriptors: Correlation, Metabolism, Music, Musicians