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Strand, Katherine; Brenner, Brenda – Music Educators Journal, 2017
Research conducted on the development of expressive performance capabilities suggests that children can learn to demonstrate expressiveness in their music-making. Expressivity includes musical interpretation, performance technique, and musical and personal creativity. This article examines creativity as an important component of musical…
Descriptors: Creativity, Music Education, Performance, Music Appreciation
Chaseling, Marilyn; Boyd, William E. – Australian Journal of Music Education, 2014
This paper overviews the decline and revival of music education in New South Wales schools from 1920 to 1956. Commencing with a focus on vocal music during the period up to 1932, a time of decline in music teaching, the paper examines initiatives introduced in 1933 to address shortcomings in music education, and the subsequent changes in…
Descriptors: Foreign Countries, Music Education, Educational Trends, Educational History
Kang, Sangmi – Music Educators Journal, 2013
A number of scholars have investigated the roots of the "Arirang," although the origins are debated. Most agree that the original form of the song "Arirang" was first found upstream from Seoul along the Han River. The lyrics told the story of a woman waiting for her lover on the bank of the river. The term "Arirang"…
Descriptors: Music Education, Global Education, Multicultural Education, Korean Culture
Vestad, Ingeborg Lunde – Action, Criticism, and Theory for Music Education, 2014
In this article I discuss children's everyday uses of recorded music (such as CDs, Mp3-files) in the light of sociological notions of "children" and "childhood". The discussion provides perspectives on musical engagement and musicality that supplement perspectives within developmental psychology. The study is based on…
Descriptors: Music Education, Music Activities, Young Children, Interviews
Tobias, Evan S. – International Journal of Music Education, 2015
In this case study, the author investigated intersections of secondary students' musical engagement in a Songwriting and Technology Class (STC) and outside of school. The study traces the experiences of three individual participants and three participant groups (six embedded cases in total) in the creation, performance, recording, and production…
Descriptors: Music, Music Education, Secondary School Students, Music Activities
Peer reviewedWidoe, Russ – Music Educators Journal, 1973
Author presents an analysis of American popular music. (RK)
Descriptors: Art Song, Music Appreciation, Music Education, Music Teachers
Peer reviewedGroves, Saundra L.; Groves, David L. – Adolescence, 1980
Briefly discusses music programing for special audiences. An illustrative exercise provided to point out a programing format, especially the sequencing activities and utilization of resources. (Author/MP)
Descriptors: Curriculum Development, Evaluation, Exceptional Persons, Learning Activities
Stratton, Mary; Stratton, Mick – Montessori Life: A Publication of the American Montessori Society, 2005
The authors' intention in writing this article is to dispel any fears and mysteries previously subscribed to about appreciating and creating music. Through simplification and isolation, the understanding of music will inevitably unfold as predictably and beautifully as a blossom on a warm summer day. Their hope is that, people may use this…
Descriptors: Singing, Music Appreciation, Music Education, Academic Achievement
Butler, Maureen – Teaching Music, 2004
Activities in music class allow students, especially students with hearing impairments, to explore new means of expression and to enhance existing ones. Additional benefits may include increases in auditory awareness, cognitive ability, attention span, memory recall, and vocabulary. Students with hearing impairments can learn and flourish in music…
Descriptors: Deafness, Music Appreciation, Music Teachers, Music Education
Connors, Abigail – Teaching Music, 2006
Young children are natural-born musicians and rhythm instruments provide a wonderful bridge between a toddler's innate need to make noise and a child's true musical awareness and expressiveness. Rhythm instrument activities are so easy. With most of them, the child is simply copying one motion at a time. There is nothing to remember. Another…
Descriptors: Young Children, Music Education, Toddlers, Aesthetic Education
New York State Education Dept., Albany. Bureau of Secondary Curriculum Development. – 1972
The material in this teacher's guide for a high school elective course may be used in a variety of curriculum designs--from a mini elective to a full year course. The rationale section explains that folksinging can be a valuable activity in the classroom by: 1) presenting a mirror for the student's personality and by being a useful tool for…
Descriptors: Cultural Awareness, Folk Culture, Music, Music Appreciation
New York City Board of Education, Brooklyn, NY. Div. of Curriculum and Instruction. – 1979
This guide contains lesson plans for music teachers and music specialists in grades K-4. The role of music education is to provide a balanced exposure to all music and musical experiences, allowing students to develop tastes and skills based upon a broad knowledge of music. The guide consists of two levels. The first half of the guide contains…
Descriptors: Curriculum Guides, Elementary Education, Listening Skills, Music Activities
Burton, Leon H., Ed.; Thomson, William, Ed. – 1982
Forty-nine music lessons for use in sixth grade classes are presented. A number of these lessons feature songs and musical instruments from or about Hawaii, and lessons stress learning about tempos, accents, meters, notes, and rhythm patterns. The lessons introduce the history of instruments such as the ukulele, recorder, rhythm instruments, and…
Descriptors: Applied Music, Grade 6, Intermediate Grades, Music Activities
Burton, Leon H., Ed.; Thomson, William, Ed. – 1983
This fifth grade text provides music and rhythmic activities for the development of both musical skills and appreciation. The learning of music symbols, notes, chords, rhythm, harmony, and specific songs is stressed. While most of the songs were composed in the contiguous 48 United States, music from Hawaii and from other countries is included.…
Descriptors: Applied Music, Grade 5, Intermediate Grades, Music Activities
New York State Education Dept., Albany. Bureau of Secondary Curriculum Development. – 1969
To help meet the needs of nonmusic-major students in grade 9, 10, 11, and 12, this teacher's guide offers guidelines for a course to stimulate students' interest and involvement in folksinging. Guidelines are provided on the role of the teacher, methods of instruction, and suggested time allotments. Brief descriptions and comments on some typical…
Descriptors: American Culture, Books, Cultural Influences, Drama
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