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Geringer, John M.; MacLeod, Rebecca B.; Sasanfar, Justine K. – Journal of Research in Music Education, 2015
We studied music majors' perception of intonation in accompanied solo performances of trumpet, violin, and voice. We were interested in whether listeners would judge pitch deviations of equal magnitude in the three solo performances as equivalent in intonation. Participants were 150 graduate and undergraduate music majors drawn from two large…
Descriptors: Music, Music Education, Majors (Students), Musical Instruments
Kim, Ji-Eun – ProQuest LLC, 2018
This study was designed to explore differences between instrumental music teachers' self-perceived comfort and competence ratings, using a 7-point Likert scale, on 15 choral teaching skills presented through a researcher-developed survey. Participants, identified through the National Association for Music Education membership list, were contacted…
Descriptors: Music Education, Musical Instruments, Music Teachers, Self Concept
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Ketovuori, Mikko – International Journal of Music Education, 2015
This article investigates a piano-playing subject called "keyboard harmony." The subject was initially developed in the 1980s to give (K-12) schoolteachers the skills needed for accompanying singing in classrooms. Since keyboard harmony today has an official status in all Finnish music schools, both piano and general music teachers ought…
Descriptors: Foreign Countries, Music Teachers, Music Education, Preservice Teachers
Cohen, Veronica Wolf – 1974
Early childhood music programs should be based on two interacting goals: (1) to teach those skills most appropriate to a particular level and (2) to nurture musical creativity and self-expression. Early childhood is seen as the optimum time for acquiring certain musical skills, of which the ability to sing in tune is considered primary. The vocal…
Descriptors: Auditory Discrimination, Communication Skills, Creative Development, Early Childhood Education