Describes a method of teaching German adjective endings and adjectival nouns which simplifies the traditional "strong,""weak," and "mixed" endings approach. (EKN)

Discusses common misconceptions about German adverbs. Explains that adverbs can also modify nouns, pronouns, and entire sentences, and that the adverb modifies by showing condition rather than characteristic. Adds "cause" and "negation" to the traditional adverbial categories of "time,""manner," and "place." (EKN)

Gives an elementary description of German syntax which is coherent and provides students with finite, countable categories: (1) the predicate, (2) its nominal complements, and (3) modifiers. Analyzes each category and gives examples with teaching suggestions. (EKN)

Suggests that the acquisition of German syntactic patterns can be facilitated by providing 10 rules for German word order at the beginning of the first semester of instruction. The 10 rules and illustrative examples are included as well as notes on their use. Two sample student handouts are appended. (SED)

Summarizes recent theory on communicative processes in language use, on the creation and exchange of meaning, and on the negotiation of roles in the classroom. Suggests exercises for activating and developing interactive skills between speakers and hearers in the foreign language. (EKN)

Discusses the use of stereotyped speech patterns as teaching material or as the basis of communicative exercises. Gives examples of the use of these gambits in drills and exercises in German. (EKN)

The German preposition "bei" has several meanings and uses. If the basic meaning of "bei" is taken as "abstract setting," the analysis can be extended naturally to account for the more concrete locational uses such as references to activities or specific circumstances. (CB)

A review of recent research concerning the syntactical and grammatical characteristics of business German precedes an exploration of the occurrence and sequencing of these characteristics in American college textbooks. Particular attention is given to the passive voice. (Author/CB)