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Cecilia Björk; Mats Granfors; S. Alex Ruthmann – British Journal of Music Education, 2024
This study examines the learning processes that take place when upper secondary students apply and generate theories while drawing on their preferred music and writing songs of their own. One music theory teacher and two researchers collaborated to design an emergent sequence of lessons focusing on students' interests, questions and creative work.…
Descriptors: Foreign Countries, Music Education, Instructional Design, Teaching Methods
George Nicholson; Matthew Rotjan – Music Education Research, 2024
Multi-styles string education includes musical practices from close to 30 identified styles. Adding the multi-styles approach into curriculum may not be easy: Pedagogies may be different from those needed for Western classical music, the primary style most practicing teachers have studied. As such, the decision to start incorporating multi-styles…
Descriptors: Music Education, Nontraditional Education, Teaching Methods, Music Teachers
Robert H. Woody – International Journal of Music Education, 2024
This action research study provides insight into the learning of university music education students who participated in a popular musicianship experience. The participants were thirty-four music education students (i.e. pre-service music educators) at an American university enrolled in a student-directed Popular Musicianship course. Although…
Descriptors: Music Education, Music Teachers, Preservice Teachers, Preservice Teacher Education
Randles, Clint; Tan, Leonard – British Journal of Music Education, 2019
The purpose of this study was to examine and compare the creative musical identities of pre-service music education students in the United States and Singapore. The Creative Identity in Music (CIM) measure was utilized with both US and Singapore pre-service music teacher populations (n = 274). Items of the CIM relate to music-making activities…
Descriptors: Foreign Countries, Comparative Education, Preservice Teachers, Music Teachers
Rescsanszky, Matthew J. – Music Educators Journal, 2017
Many music educators feel unprepared or are unsure of how to use popular music in their classrooms. This article details the author's experience designing, implementing, and revising a student-centered guitar curriculum in an urban middle school. Reflecting on this experience, the author defends the place of popular music and informal pedagogy in…
Descriptors: Music Education, Musical Instruments, Middle School Students, Teaching Methods
Katsioloudis, Petros; Jones, Mildred; Jovanovic, Vukica – Engineering Design Graphics Journal, 2016
Results from a number of studies indicate that the use of different types of music can influence cognition and behavior; however, research provides inconsistent results. Considering this, a quasi-experimental study was conducted to identify the existence of statistically significant effects on sectional view drawing ability due to the impacts of…
Descriptors: Teaching Methods, Music, Engineering Education, Quasiexperimental Design
Young, Chase; Valadez, Corinne; Gandara, Cori – Journal of Educational Research, 2016
The quasi-experimental study examined the effects of pairing Rock and Read with Readers Theater and only Rock and Read on second grade students' reading fluency scores. The 51 subjects were pre- and post-tested on five different reading fluency measures. A series of 3 × 2 repeated measures ANOVAs revealed statistically significant interaction…
Descriptors: Rural Schools, Elementary School Students, Rock Music, Theater Arts
McPhail, Graham – British Journal of Music Education, 2013
Informal learning has become a prominent theme in music education literature in recent times. Many writers have called for a new emphasis on informal knowledge and pedagogy as the way forward for music education. The position taken in this paper is that a central issue for music education is the accommodation of a tension between types of…
Descriptors: Informal Education, Music Education, Rock Music, Music Teachers
Korobkova, Ksenia A.; Black, Rebecca W. – E-Learning and Digital Media, 2014
This article focuses on learning and identity-related practices of young female fans of a popular British boy band called One Direction. Drawing on qualitative inquiry into a fanfiction community formed around the band, analysis highlights (a) the literate work fans engage in, including writing, reading, critiquing, and collaborating on multimodal…
Descriptors: Popular Culture, Rock Music, Inquiry, Qualitative Research
McClain, Stephen S. – Journal of Geography, 2010
Popular music can be used to study many subjects and issues related to the social sciences. "Geographies of American Popular Music" was a workshop that not only examined the history and development of select genres of American music, it also introduced students to basic geographic concepts such as the culture hearth and spatial diffusion. Through…
Descriptors: Music, Social Sciences, Geographic Concepts, Popular Culture
Cassidy, Gianna G.; Paisley, Anna M. J. M. – Research Studies in Music Education, 2013
Music-games present a highly pervasive new platform to create, perform, appreciate and transmit music through peer and online communities (e.g., Peppler, Downton, Lindsay, & Hay, 2011). While learners are increasingly engaged with such digital music participation outside the classroom, evidence indicates learners are increasingly disengaged…
Descriptors: Teaching Methods, Music Education, Educational Games, Music Activities
Webb, Michael – Action, Criticism, and Theory for Music Education, 2007
What can be learned from two films with "rock" and "school" in their titles, about rock in school and about music and schooling more broadly? "School of Rock" (2003), a "family comedy," and "Rock School" (2005), a documentary, provoke a range of questions, ideological and otherwise, surrounding the inclusion of rock in formal instructional…
Descriptors: Music Education, Rock Music, Music Teachers, Films
Keep on Rockin' in the Free World: The Advantages of Using Rock and Roll in Teaching Social Studies.
Peer reviewedLane, James – OCSS Review, 1997
Argues that rock and roll music provides a source of subject matter and interpretation to expand teaching from the confines of the classroom into the world of students' daily lives. Suggests three ways in which rock and roll can be used to teach social studies and presents two sample lessons. (DSK)
Descriptors: Elementary Secondary Education, Instructional Innovation, Interdisciplinary Approach, Relevance (Education)
Jaffurs, Sheri E. – International Journal of Music Education, 2004
This ethnographic study is an investigation of the environment that students create when making music that is meaningful to them. The initial purpose of the study was to describe a developing "rock group", and the factors that contributed to its creation. The significance of the study may be in the discovery of ways to "counter mechanisms of…
Descriptors: Music Education, Music, Ethnography, Teaching Methods
Famous, W. Glenn; Sargent, Barbara – Learning, 1992
Elementary teachers can interest their students in U.S. geography by having them plan a cross-country concert tour for a rock and roll band. The project develops research, writing, and critical thinking skills as students learn about U.S. geography. The article includes a listing of state tourism agencies. (SM)
Descriptors: Class Activities, Cooperative Planning, Creative Teaching, Elementary Education
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