Discusses technology and literacy, in particular the characteristics and qualities of hypertext. Seeks to communicate some of the experience of reading hypertext. Argues that the computer is much more than a new device for displaying textual information or for teaching children how to read and write. (SR)

Examines intertextual relationships in "The Wedding Ghost," a children's book written by Leon Garfield and illustrated by Charles Keeping. Concludes that, as a top-down component in reading, intertextuality has significant implications for how texts are approached and can be seen as an element which promotes the development of high-level…

Examines how undergraduate readers monitor and evaluate the concerns of characters over the course of a narrative. Discusses what kinds of evaluation the reader makes, what the reader evaluates, the functions that these evaluative inferences serve in comprehension, and the multiple perspectives (character, narrator, or presenter) taken by the…

Problematizes the word "experience" as it is currently being used by researchers and teachers who want to reform literature instruction in schools and colleges. Discusses how a fresh look at Dewey and Rosenblatt can reconstruct the courtroom and marketplace metaphors as sound alternatives to theories that perpetuate dualistic assumptions…

Attempts to represent the complexity of the web of literary relationships and their transformational space using fragmentary texts that circle around the novel "The English Patient": self as relationship and the dialogic engagement with a book by the patient himself; and the relationship and engagement with this book and with each other of a group…

Eye fixation patterns were used to identify reading strategies of adults as they read multiple-topic expository texts. A clustering technique distinguished four strategies that differed with respect to the ways in which readers processed text. Findings indicated that qualitatively distinct reading strategies are observable among competent, adult…

Presents an overview of critical theory to show how the method of Reader Response evolved. Discusses theories of reading and the reader; variations within reader response; and implementing reader response in literacy programs. Includes a brief response by Robert E. Probst. (RS)

Beyond decoding words and sentences, everyone thinks of a reader as a person who makes particular kinds of intertextual connections, who asks particular kinds of questions of a text, who reads at a particular intellectual distance from the text, who talks about more than the text's meaning and analyzes its nature. The difference in how teachers…

The art of reading refers to the act of representing and interpreting text through oral dramatic reading. To the dismay of many teachers, reading is becoming a "lost art." Students are expected to apply specific literacy techniques rather than use their imagination to learn to enact text. Based on a study of the reading perceptions of natural oral…

Writers construct meaning when they compose texts, and readers construct meaning when they understand and interpret texts. Building meaning through reading entails organizing, selecting, and connecting. Readers use previously acquired knowledge to operate on textual clues, organizing mental representations that include material they select from…

Reading is best understood as a dialectic process where the influence of reader and text are constantly merging to create a jointly produced and evolving understanding. What occurs as the reader and text come together during reading is similar in form to a dialogue, a model for the reader-text relationship that has not been explored in the reader…

Examines two texts showing that the relational propositions (frequently implicit) that arise out of a combination of independent clauses involve every clause and that they occur in a pattern of propositions that connects all of the clauses together. Shows how relational propositions are essential to the functioning of the text. (HTH)

Provides a theoretical framework for thinking about how students read literature through the notions of envisionment-building and stories. Discusses possibilities for instruction. (MG)

Examines the role of readers' subjectivity or personal responses in story interpretation, specifically in the formation of thematic generalizations. (MG)

Focuses on diagrams giving overviews of complex technical information as facilitators for adult subjects using computers to learn about the business activities of a fictitious family. Finds that features of the author's control over the reader's encounter with the diagram influences whether readers will interrupt their reading to study the…