Article discussed a music education project sponsored by the Peace Corps in San Salvador. (Editor/RK)

A major concern of music educators is the place of music education in the curriculum. An important contribution to the establishment of music as basic to a student's education has come in the Rockefeller Panel Report, "Coming to Our Senses". Describes that report and its importance for music educators. (Author/RK)

A few years ago the synthesizer was an expensive musical instrument. Today prices have dropped tremendously. Explains why the synthesizer is not out of reach of the school classroom and how a solid instructional program can be developed with its use. (Editor/RK)

The dichotomy between research and creative activity is a false one. Most creative activity does produce knowledge and should be considered as research. Through a hypothetical case study this argument attempts to justify creativity as research. It also describes two projects as possible examples of how creativity might be explored in a research…

In a down-to-earth, practical article, the author tells how to guide the beginning jazz band drummer so that he can lay the foundation for a swinging ensemble. (Editor/RK)

The United States Office of Education, in cooperation with the Alliance for Arts Education of the John F. Kennedy Center for the Performing Arts, is administering a program of grants and contracts to encourage and assist the establishment of arts education programs. Guidelines for qualifying for a grant or contact are provided. (Author/RK)

Recommends that teachers write grants to obtain funds for using technology in music education. Explains that teachers should ask themselves two questions: "Who has funds to give and what do they require the recipient to do?" Provides a list of guidelines, a sample grant proposal, and information about the panel review. (CMK)

The arts provide the only possible salvation from the sterility, depersonalization, and television-induced passivity of contemporary society. But the arts can only play this role if the arts community, the government and, particularly, the schools make a concentrated effort to develop a truly participative people's arts program. (Author/SJL)