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Mamur, Nuray – International Journal of Education & the Arts, 2020
This case study addresses an activity called "Ideology of Space" in the context of a visual culture-based in-service teacher education program. In the study, teachers applied a multidimensional analysis to mall spaces, which serve as a good example of everyday aesthetics. The activity consisted of a series of implementations aimed at…
Descriptors: Criticism, Aesthetics, Inservice Teacher Education, Interior Space
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Duncum, Paul – Studies in Art Education: A Journal of Issues and Research in Art Education, 2012
While visual art appeals to the sense of sight, both recent art and popular visual culture appeal to the whole sensorium, the sum total of the ways we experience the world. Common assumptions about the senses regarding their number, their relative importance, and their relation to one another are problematized in light of recent psychological and…
Descriptors: Art Education, Perception, Vision, Visual Arts
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Cupchik, Gerald C.; Vartanian, Oshin; Crawley, Adrian; Mikulis, David J. – Brain and Cognition, 2009
When we view visual images in everyday life, our perception is oriented toward object identification. In contrast, when viewing visual images "as artworks", we also tend to experience subjective reactions to their stylistic and structural properties. This experiment sought to determine how cognitive control and perceptual facilitation contribute…
Descriptors: Emotional Response, Perception, Spatial Ability, Aesthetics
Wise, James F. – Art Educ, 1970
Art teachers must try to awaken the sensory apparatus within their students and foster the development of critical liking--liking which is a function of the expressive quality of the art object. (CK)
Descriptors: Art Appreciation, Perception, Sensory Training, Visual Arts
Perkins, David – 1971
This is the fifth in a series of technical research reports by Harvard Project Zero which study artistic creation and comprehension as a means toward better art education. The three papers in this report all concern the bearing of projective geometry on the perceptual processes by which pictures are "read" for spatial information. The…
Descriptors: Art Education, Behavioral Science Research, Depth Perception, Developmental Psychology
Behrens, Roy – Art Educ, 1969
This article is reprinted from "Seven Magazine, a student publication of the University of North Iowa.
Descriptors: Art, Art Education, Bibliographies, Perception
Hengen, Nona L. – Viewpoints, 1970
Discusses the ways of interpreting illustrations, and how these interpretations can be changed. (MM)
Descriptors: Art Appreciation, Comprehension, Nonverbal Communication, Perception
Wyman, Jenifer D.; Gordon, Stephen F. – 1967
Photographs of visual phenomena are presented to stimulate an awareness of the visual transition between the initial discovery of sights and their utilization in creative works. The visual phenomena are grouped into four units: changes on the surface of objects, perceptions of form, variations in perceptions due to the organization or association…
Descriptors: Art Activities, Art Education, Color, Illustrations
Pickering, John M. – 1971
How to develop children's awareness of tactile and visual experience is the subject of this book, intended for primary school teachers and parents of young children. The purpose is to present experiences which will stimulate children's curiosity about their world and enrich their perception. Beginning with the first tactile and textural contacts a…
Descriptors: Art Activities, Art Education, Color, Concept Formation
Behrens, Roy – Sch Arts, 1970
Descriptors: Perception, Teaching Methods, Visual Arts
Colgan, James W. – Art Teacher, 1973
Outlines a course in photography for use in secondary school art classes to develop perceptual awareness and extend range of vision. (DS)
Descriptors: Art Education, Color Planning, Film Study, Perception
Lanier, Vincent – 1968
The main concern of this study--what is the image of the artist as it is projected by entertainment films--raises four subsidiary questions. The first is whether that image varies from one film to another and, if so, how and to what extent. Secondly, presuming such variations, are they related to the time period in which the films were produced?…
Descriptors: Art Education, Artists, Attitudes, Biographies
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Siegesmund, Richard – Studies in Art Education, 1998
Traces how broad, historical, conceptual frameworks established by Arthur Efland continue to be useful in categorizing contemporary arguments on the form of art education. Contends that many popular justifications for art education lack a solid epistemological rationale. Advocates an approach to art education as a study of reasoned perception.…
Descriptors: Art Education, Art History, Educational Principles, Epistemology
Amiotte, Arthur – 1974
Through the use of black and white photographs and drawings interspersed with narrative, this text attempts to foster awareness and appreciation of art in the life of the Lakota Indians. The concepts of space and mass are illustrated. The result of combining masses and spaces into various forms of sculpture (bas relief, monolithic, mobile,…
Descriptors: American Indian Culture, American Indian Education, American Indians, Art
Herman, Gail Neary; Hollingsworth, Patricia – 1992
Works of visual art contain an inner dynamism and energy that an individual's perceptual apparatus can translate into kinesthetic impressions, movement, and sound. Through this translation, a child's natural energies can interact with the artwork through multiple sensory experiences, enriching art appreciation. After a brief examination of the…
Descriptors: Art, Art Appreciation, Art Education, Critical Viewing
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