The COVID-19 pandemic cause global social and cultural disruptions that caused institutions like museums to suddenly close. Stay-at-home orders forced organizations to restructure their now-remote staff, laying off, furloughing, or firing entire departments like museum education. The literature in the field suggests museum educators were fired or…

Purpose: In this paper, the author reflects on her researcher experiences of attempting to construct co-productive epistemic relations in her ethnographic doctoral research about a gallery youth collective. The paper engages with debates about the nature of co-productive relations, advocating for a more affective approach which attends to…

The Federal Arts Project (WPA-FAP) (1935-1943) of the Works Progress Administration (WPA) was a federally funded program designed through Franklin D. Roosevelt's New Deal to keep visual artists at work during the Great Depression. Many of these arts programs took place through museums and exhibitions, bringing the visual arts to everyday Americans…

In order better to support children's learning experiences, art museums have begun to establish interactive art exhibitions designed for family visitors. However, as more of these interactive exhibitions are established, some museum professionals are raising concerns about whether these exhibitions actually facilitate young visitors' learning or…

In the early 1950s television was the hot new broadcast media. The post-war economic boom meant that more and more American households were purchasing televisions, and television programming was growing to meet demand. The moment was rife with the potential to reach more and more people through the dazzling allure of television. Many American…

Open-ended guided tours and choices on tours have become more common in art museums as educational and curatorial practices focus on visitor-centered experiences. What can museums do to help set the stage for these types of interactions between visitors, the museum, and works of art through programming and tours? In this article, the author…

During the pandemic many museums and galleries pivoted from onsite, in-person delivery to develop a remote offer and to create digital learning resources and activity packs for children and young people. In this article, I draw upon my experience as practitioner researcher on the schools and teachers' programme at the Fitzwilliam Museum to…

Writing Salon at the National Gallery of Art, in Washington, DC, is a series of free creative writing workshops for adult audiences. The program uses art as an inspiration for writing and embraces writing as a powerful way to experience art. Highlighting the parallels between the writing and art-making processes, the program demonstrates that…

This article reports on findings from a research study exploring the potential for democratic learning in a gallery education project which took place in the UK in 2006-7. In doing so, it also explores a pressing issue for education today: the question of young people's democratic education in a time of political crisis in Europe. The focus of the…

Using the case study of an unstaffed, interactive making space at the Portland Museum of Art, this article explores the potential for museums to facilitate visitor to visitor learning without the in-person assistance of a gallery educator. It offers concrete steps to design activities, environments, and supporting resources which prompt close…

"ArtInSight" is a three-pronged constructivist education model for museum teaching. Utilizing (1) conversational tours, (2) mindfulness-based insight activities, and (3) art-making exercises, viewers develop critical and visual thinking skills and apply them to both arts-based experiences and to everyday life. This approach broadens…

Teaching general adult audiences in art museums requires the teacher to consider different goals and priorities than those of school, teacher, or family programs. In this reflective essay, one gallery educator whose primary museum teaching experiences had been with the latter audiences discusses a transition to leading public tours. He describes…

Hands-on workshops in museums have become ubiquitous. What is the best approach to leading these materials-based experiences and how might they relate to gallery teaching? This article outlines best practices for facilitating museum workshops. Describing a framework for designing activities, giving feedback, and sharing information, it draws…

In April 2013, The Museum of Modern Art entered into a partnership with MOOC (Massive Open Online Course) provider Coursera to offer professional development opportunities for K-12 teachers all over the world. Since entering into that partnership, MoMA has developed two MOOCs: "Art and Inquiry: Museum Teaching Strategies for Your…

In this article, the author presents her list of top 10 museum education myths. In so doing she also hopes to "demythtify" these aspects of the field. While the focus of the list is art museum education, art educators in schools and community sites will likely find that several of the myths resonate with their practice. (Contains 1 endnote.)