Students participated in making music with very little verbal communication and the teacher found a way to eliminate fruitless lecturing and nonmusicmaking. (Author/RK)

American music educators are a major part of the continuing change in music curriculum that has been planned for public school music of presentday America. (Author/RK)

Discusses how choral directors and choirs can collaborate with a percussionist when a drum or other instrument is needed for a performance. Explores details, such as instrument availability and storage as well as working with a percussionist. Focuses on specific types of music. (CMK)

Describes the minimalist movement in music. Discusses generations of minimalist musicians and, in general, the minimalist approach. Considers various ways that minimalist strategies can be integrated into the music classroom focusing on (1) minimalism and (2) student-centered composition and principles of minimalism for use with elementary band…

This study is an examination of the influence of three orchestra/school partnerships on students' interest in instrumental music. A vocational choice school was used to assess students' interest in instrumental music. Surveys were administered to second- through fourth-grade students at partnership and nonpartnership schools. Results indicated…

This paper steps outside of conventional frameworks of schooling and examines inclusion from the perspective of eight young people and adults who play Scottish fiddle music in a group. The participants were asked to talk about their experiences of playing and their involvement with the group in practice and performance sessions. The group had been…

Music educators want to encourage every child to sing or play an instrument--or at least they want them to feel capable of successful singing and playing. But recently, those of them concerned with performing arts medicine and musicians' injuries have had to deal with the sobering truth that just being able to sing or play an instrument is not…

This user-friendly guide covers a variety of issues such as choosing the right instrument, how to set practice guidelines, how parents can talk about music with their children, and ways to inspire children and enhance their creativity and confidence. Includes a list of frequently asked questions, a handy guide to musical terms, and lots of tables…

The Fall 2004 and Spring 2005 issues of "UPDATE: Applications of Research in Music Education," in one print volume, presents hard facts and statistical data in a style that can be easily understood and appreciated by music researchers, teachers, graduates, and undergraduates alike. Includes advice to first-year music teachers, instrument…

Describes a teaching device, computer-controlled, that is used in the U.S.S.R. as an introduction to the elements of piano playing. (Author/RK)

Studies have shown that sexism cannot only influence career choice, but even the musical instrument that a child chooses to play. The question music educators need to consider is how attitudes and behavior surrounding this issue can be modified. (Author/SJL)

Describes a high school music program in which students form strolling performance groups. Explains that violinists, violists, and even cellists play as they stroll through audiences. Suggests that strolling strings programs benefit both students and teachers by providing opportunities for creativity and enhancing musical skills. Provides a list…

Analyzes 15 performances of "Bach's Suite Number 3 for Violoncello solo, Bourree Number 1" and determines what patterns of rhythmic variation (rubato) were used by soloists. Indicates that the soloists demonstrated four identifiable and similar trends in the performances. (CMK)

Beginning a community youth orchestra can be one of the most rewarding--and draining--experiences in music education. Forming a group requires administrative expertise, interpersonal skills, expert musicianship, and a lot of elbow grease. The author used all these attributes and skills when he founded the Spanish Fork (Utah) Chamber Players…