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Bautista, Alfredo; Perez Echeverria, Ma del Puy; Pozo, J. Ignacio; Brizuela, Barbara M. – Journal of Research in Music Education, 2009
Musical scores are some of the most important learning tools for musicians' acquisition of musical knowledge. However, despite their educational relevance, very little is known about how music students "conceive" of these cultural external representations. Given that these conceptions might act as mediators of students' learning…
Descriptors: Music Education, Music, Relevance (Education), Musicians
Nelson, Sara D.; Norton-Meier, Lori – Journal for Learning through the Arts, 2009
This article explores the use of lyric writing in elementary science. It details an exploratory project in which elementary students and a professional musician collaborated to write and record lyrics at the conclusion of an inquiry-based science unit. What we found was that lyric writing when used as a summary reflection activity in science…
Descriptors: Singing, Elementary School Science, Musicians, Collaborative Writing
Effects of Recorded Models on Novice Teachers' Rehearsal Verbalizations, Evaluations, and Conducting
Montemayor, Mark; Moss, Emily A. – Journal of Research in Music Education, 2009
In this study, the authors investigated effects of aural model-supported rehearsal preparation on selected behavioral and evaluative elements of novice teachers' rehearsals. Sixteen preservice music teachers conducted high school bands in four 15-minute rehearsals (two rehearsals on two different pieces). To prepare for their rehearsals on one…
Descriptors: Music Education, Music Teachers, Beginning Teachers, Music Activities
Lubenow, Martin; Meyn, Jan-Peter – European Journal of Physics, 2007
The simultaneous sound of several voices or instruments requires proper tuning to achieve consonance for certain intervals and chords. Most instruments allow enough frequency variation to enable pure tuning while being played. Keyboard instruments such as organ and piano have given frequencies for individual notes and the tuning must be based on a…
Descriptors: Intervals, Music, Musicians, Personality
Watson, Amanda; Forrest, David – International Journal of Music Education, 2008
In 1994, the Australian Society for Music Education (ASME) initiated two related projects supporting and acknowledging composition in schools and offering the opportunity for secondary school-aged students to work with prominent Australian composers. These were the Young Composers' Project and the Composer-in-Residence Project. Both projects were…
Descriptors: Music Education, Foreign Countries, Educational Opportunities, Career Education
Peer reviewedDoherty, Natalie H. – Educational Horizons, 1974
Article described the expression of ideas in music and the part that literature played as a motivation for those ideas. (RK)
Descriptors: Creative Expression, Literature, Music, Musical Composition
Peer reviewedWeber, J. F. – Association for Recorded Sound Collections Journal, 1974
Non-annotated discography that omits single songs from the Broadway shows and arrangements for band, piano, and the like. (CH)
Descriptors: Audiodisc Recordings, Discographies, Music, Musical Composition
Peer reviewedJoplin, Scott – Music Educators Journal, 1973
Author lists exercises that explain the musical meaning of ragtime. (RK)
Descriptors: Diagrams, Jazz, Music Techniques, Musical Composition
Doyle, John G. – Music Educ J, 1969
A biographical sketch of Gottschalk, a pianist and "the first american composer to use the folk idiom and rhythm of this hemisphere in serious composition. (Author/JG)
Descriptors: Biographies, Music, Music Techniques, Musical Composition
Lawler, Vanett – Music Educ J, 1969
The contributions of Villa-Lobos as a music educator, conductor, and composer. (AP)
Descriptors: Biographies, Concerts, Music Education, Musical Composition
Peer reviewedNemetz, Kathleen – Music Educators Journal, 1983
Joel Krosnick, a top performer of avante-garde music, urges students to recreate the fantasy that the composer visualized in creating the music through gestures, expression, and coloration. (AM)
Descriptors: Applied Music, Musical Composition, Musicians, Teaching Methods
Peer reviewedAquino, John – Music Educators Journal, 1979
In recognition of Rudolf Friml's centenary (1879-1979), his career as a composer of operettas, musical comedies, and musical satires and as a concert pianist is reviewed. (KC)
Descriptors: Biographies, Modern History, Musical Composition, Musicians
Peer reviewedMussulman, Joseph A. – Music Educators Journal, 1980
Presented is the life and philosophy of Alice Parker, a teacher of musical composition, who is in great demand as a speaker on college campuses and who composes on commission for a wide variety of organizations. (KC)
Descriptors: Biographies, Music Theory, Musical Composition, Musicians
Rosene, Paul E. – Teaching Music, 2004
The search for band and orchestra repertoire is a quest for quality. It is easy for band or orchestra directors to find lists of music; in fact, the quantity is often overwhelming; professional magazines, free miniscores and CDs, and the constant stream of offerings from publishers bombard the music teacher with the message "buy me." The sheer…
Descriptors: Music Education, Musical Instruments, Musical Composition, Musicians
Peer reviewedHolvik, Karl M.; Whitwell, David – Music Educators Journal, 1976
The authors, both professors of music, discuss the current state of original literature for band. Although they have written from the standpoint of the college band director, many of their comments are equally pertinent to the high school band director. (Editor/RK)
Descriptors: Bands (Music), Music, Music Education, Musical Composition

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