The pedagogical literature strongly suggests that when a musician works on a specific piece of repertoire, one should choose practice strategies tailored to the challenges presented by that material. Such a behavioral choice could represent an instantiation of focused and deliberate practice, a critical aspect of the relationship between…

Instrumental practice is vital to musical development. Between lessons musicians need to employ considerable self-regulated learning strategies to solve learning problems and to manage their practice. Many children lack these self-regulatory skills for effective and independent practice. Digital technology advancements are offering teachers new…

The purpose of the current study was to describe adult band musicians' perceptions of task difficulty, use of practice techniques, and confidence to learn using the one-minute paper in an adult concert band setting.

Problem Statement: Johann Sebastian Bach is one of the leading composers of the baroque period. In addition to his huge contributions in the artistic dimension, he also served greatly in the field of education. This study has been done for determining the impact of visual memory-based memorization practices in the piano education on the visual…

This study explored the differences in ear-playing ability between formal "classical" musicians and those with vernacular music experience (N = 24). Participants heard melodies and performed them back, either by singing or playing on their instruments. The authors tracked the number of times through the listen-then-perform cycle that each…

This article considers the concepts of "learning style" and "learning strategy". The former connotes an inbuilt trait which tends to remain fundamental to the way an individual approaches learning. The latter refers to a set of consciously-acquired and applied approaches or tactics designed to achieve a learning task. The article relates these…

This qualitative collective case study examined the practice strategies of two eighth-grade instrumentalists. Participants included two student-parent pairs from the author's school district. Data were obtained through interviews and videotaped practice sessions. Results are presented according to two main themes: practice description versus…

How can we use practice time in the best possible way? Do we, as performers, have a keen enough awareness of the workings of our mind and body to be sure we are learning in the optimum way for secure performance? If not, how can we readily convey to others good habits for learning and memorisation? By demonstrating aspects of how experienced solo…