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Smith, Gareth Dylan; Powell, Bryan; Knapp, David – Research in Education, 2023
The pervasive Eurocentric model of music education in the United States is hegemonic, pursuing a model of performance excellence in large ensembles that, by the time young people reach high school, excludes most from music making opportunities in school. Despite numerous efforts to challenge the dominant paradigm since the 1960s, little change has…
Descriptors: Music, Rock Music, Subcultures, Lifelong Learning
Davidson, Andrew – Research in Dance Education, 2023
Research on the role of the ballet pianist is limited. A gap in the literature concerns the ways in which dance instructors and accompanists 'make sense' of their collaboration. The working relationship between a dance teacher and a dance musician in a ballet class was investigated. The researcher, a ballet pianist, conducted a semi-structured,…
Descriptors: Dance, Dance Education, Phenomenology, Musicians
Serrano Navarro, Grecia; Vecchio, Mike – Arts Education Policy Review, 2023
Professional development can help to ensure teaching artists have the requisite knowledge and skills to lead effective instruction. However, the specific format of professional development can vary. One organization that provides professional development for their teaching artists is the Youth Orchestra Los Angeles (YOLA) program, which is an El…
Descriptors: Music Education, Musicians, Faculty Development, Artists
Williamson, Paul; Ball, Eugene; Wilson, Emily – International Journal of Music Education, 2019
Generally, one-to-one music lessons in tertiary settings are delivered by practicing professional musicians. While contemporary musicians draw upon a broad foundation of musical skills, they tend to develop highly specialized skills in a narrow area of performance. This may not be ideal for the one-to-one teaching studio, a situation that calls…
Descriptors: Musical Instruments, Music Education, Music Teachers, Faculty Development
Ha, Joy – International Journal of Music Education, 2017
The purpose of this study was to explore the career development process of three experienced string instrument teachers and how they understood their career development. The following questions guided this interpretative phenomenological case study: (a) How do the string teachers in this study learn to teach? (b) What sort of phases are involved…
Descriptors: Music, Music Teachers, Music Education, Foreign Countries
Carlisle, Katie – General Music Today, 2013
This article presents steps toward gaining knowledge of world music pedagogy for K-12 general music educators. The majority of the article details steps that invite engagement within everyday contexts with accessible resources within local and online communities. The steps demonstrate ways general music teachers can diversify and self-direct their…
Descriptors: Music Education, Elementary Secondary Education, Music Teachers, Faculty Development
Millican, J. Si – Update: Applications of Research in Music Education, 2013
Pedagogical content knowledge, the particular ways that teachers understand their subjects in order to instruct others, has been described and explored in the math and science education fields in some depth, yet little research exists illustrating this concept in music instruction. I used a descriptive approach to explore expert beginning band…
Descriptors: Music Education, Music, Questioning Techniques, Music Teachers

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