Musicians are appointed to positions in professional symphony orchestras--both rank and file and section principals--following a blind audition process. They perform set repertoire works and orchestral excerpts behind a screen. In many higher education programs, musicians focus on learning the orchestral excerpts and instrumental repertoire that…

This study aimed to gain an in-depth perspective through examining how the conducting pedagogy of three selected exemplary high school and college instrumental music conductors function within the context of an actual rehearsal. A typical rehearsal was video recorded, followed by a "think-aloud" session in which the conductor viewed the…

Research in music education asserts that video review by performers facilitates self-directed learning and transforms performing. Yet, certain videos may be traumatic for musicians to view; those who perceive themselves as failing or experience performance-related failures are prone to feelings of distress and sadness that can negatively affect…

Performance assessment is an integral part of young musicians' development. Students enrolled in music programs frequently participate in adjudication festivals and many audition for select ensembles. Outcomes of such events are deemed consequential among all concerned: students, parents, teachers, and administrators. Furthermore, the number of…

Discusses research literature dealing with measurement of solo instrumental music performance. Compares the Watkins-Farnum Performance Scale with facet-factorial and other rating scales. Covers acoustic analysis and evaluation of tone, loudness, and pitch. Includes discussion of computer-assisted acoustic analysis and instrumental evaluation.…

Examines relationships between musical information processed by a computer-based sound analysis system and the audiovisual record of a performer's response to musical assignments. Concludes that computer analysis permits identification of performance behavior. Suggests that a database could be designed to provide both diagnostic response to…

A basic assumption of this study is that there are generally agreed upon performance standards as evidenced by the use of adjudicators for evaluations at contests and festivals. An evaluation instrument was developed to enable raters to measure effectively those aspects of performance that have common standards of proficiency. (Author/RK)

Discusses the subjectivity, reliability, and musical validity of both holistic and segmented assessment of musical performance. Summarizes an experiment investigating the extent to which holistic assessment can be accounted for by means of a segmented grading system. Concludes that, although a single grade provides limited information about…