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Hwang, Gwo-Haur; Chen, Beyin; Sung, Chia-Wen – Interactive Learning Environments, 2019
Amateur musical instrument learners are usually taught in a one-to-many learning mode owing to the cost consideration; therefore, it is difficult for the teacher to address individual students' problems. This results in a lack of knowledge internalization. The flipped classroom enables the teacher to have more in-class time to interact with…
Descriptors: Homework, Video Technology, Educational Technology, Technology Uses in Education
Birnie, Rebecca A. – Music Educators Journal, 2014
Composition with students on the elementary level sparks imagination and creativity while engaging students in an experience that can demonstrate personal musical growth. Traditionally, music educators have not been taught how to compose music, let alone lead their students in composing experiences. As music educators take the beginning steps of…
Descriptors: Music Education, Musical Composition, Musical Instruments, Elementary School Students
Sung, Yao-Ting; Chang, Kuo-En; Chang, Tzyy-Hua; Yu, Wen-Cheng – Journal of Adolescence, 2010
Self- and peer assessments are becoming more popular in classrooms, but there are few data on the reliability and validity of such assessments performed by school children. Because these factors are greatly affected by the number of raters, we conducted two studies to determine the rating behaviours of teenagers in self- and peer assessments, and…
Descriptors: Generalizability Theory, Peer Evaluation, Validity, Reliability
Silverman, Michael J. – Update: Applications of Research in Music Education, 2009
The purpose of this study is to determine the effects of positive peer reinforcement on self-reported psychological measures and songleading performance in beginning guitar students. No differences were found between the control group (n = 21) and the experimental group (n = 20) concerning psychological measures of self-esteem, stress, and…
Descriptors: Experimental Groups, Control Groups, Psychology, Depression (Psychology)
Blom, Diana; Poole, Kim – British Journal of Music Education, 2004
This paper discusses a project in which third-year undergraduate Performance majors were asked to assess their second-year peers. The impetus for launching the project came from some stirrings of discontent amongst a few students. Instead of finding the assessment of their peers a manageable task, most students found the breadth of musical focus,…
Descriptors: Peer Evaluation, Undergraduate Students, Majors (Students), Music Education

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