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Oztutgan, Kaan – Asian Journal of Education and Training, 2021
The aim of this research is to contribute to students, trainers and performers by examining the materials prepared for the effective and fast performance of the scales. As a descriptive study, literature review and document analysis were used in the analysis of the data. The results of this study revealed that guitarists should determine a sitting…
Descriptors: Music Education, Musical Instruments, Human Body, Teaching Methods
Gerling, Cristina C.; Dos Santos, Regina Antunes Teixeira – International Journal of Music Education, 2017
This study investigated the routine procedures employed by nine undergraduate piano students at a Brazilian university while learning and performing memorized pieces and the procedures employed using Chaffin's performance cue (PC) protocols. The data were collected in two phases. In Phase I, each participant selected one piece that he or she had…
Descriptors: Foreign Countries, Musical Instruments, Music Education, Undergraduate Students
Toptas, Baris – Educational Research and Reviews, 2016
It is very important for a student to study regularly so that the results of effective training given by the teacher can be positive. It is an inevitable fact that daily and regular work will bring success to students. Therefore, daily work is highly important in music education. Daily work in instrumental education, which is a part of music…
Descriptors: Music Education, Musical Instruments, Memorization, Experimental Groups
Yucetoker, Izzet – Eurasian Journal of Educational Research, 2016
Problem Statement: Johann Sebastian Bach is one of the leading composers of the baroque period. In addition to his huge contributions in the artistic dimension, he also served greatly in the field of education. This study has been done for determining the impact of visual memory-based memorization practices in the piano education on the visual…
Descriptors: Memorization, Visual Perception, Music Education, Musical Instruments
Gamso, Nancy M. – Music Educators Journal, 2011
The Aural Learning Project (ALP) was developed to incorporate jazz method components into the author's classical practice and her applied woodwind lesson curriculum. The primary objective was to place a more focused pedagogical emphasis on listening and hearing than is traditionally used in the classical applied curriculum. The components of the…
Descriptors: Music, Aural Learning, Music Education, Instruction
Rickard, Nikki S.; Vasquez, Jorge T.; Murphy, Fintan; Gill, Anneliese; Toukhsati, Samia R. – Australian Journal of Music Education, 2010
Previous research has demonstrated a benefit of music training on a number of cognitive functions including verbal memory performance. The impact of school-based music programs on memory processes is however relatively unknown. The current study explored the effect of increasing frequency and intensity of classroom-based instrumental training…
Descriptors: Verbal Learning, Program Effectiveness, Memory, Memorization
The Effects of Altering Environmental and Instrumental Context on the Performance of Memorized Music
Mishra, Jennifer; Backlin, William – Psychology of Music, 2007
Three experiments investigated whether musical memory was context dependent. Instrumental musicians memorized music in one context and recalled in either the same or a different context. Contexts included atypical performing environments (Experiment 1: lobby/conference room) or commonly encountered environments (Experiment 2: practice room,…
Descriptors: Music, Context Effect, Musicians, Musical Instruments
Williamon, Aaron; Valentine, Elizabeth – Cognitive Psychology, 2002
This article explores the use of structure in the encoding and retrieval of music and its relation to level of skill. Twenty-two pianists, classified into four levels of skill, were asked to learn and memorize an assigned composition by J. S. Bach (different for each level). All practice was recorded on cassette tape. At the end of the learning…
Descriptors: Music, Student Evaluation, Musicians, Grading
Holmes, Patricia – British Journal of Music Education, 2005
How can we use practice time in the best possible way? Do we, as performers, have a keen enough awareness of the workings of our mind and body to be sure we are learning in the optimum way for secure performance? If not, how can we readily convey to others good habits for learning and memorisation? By demonstrating aspects of how experienced solo…
Descriptors: Music Education, Musicians, Learning Strategies, Musical Instruments
Peer reviewedFarrell, Gerry – Bulletin of the Council for Research in Music Education, 1997
Focuses on the research done on children learning the tabla, a northern India drum, and the role of the bols system, or mnemonics, that provides a means for memorizing musical material, generating improvisation, and developing rhythmic skills. Discusses the structure of the tabla lessons and the type of materials taught. (CMK)
Descriptors: Children, Educational Research, Higher Education, Improvisation
Clowes, Robert F. – Teaching Music, 1997
Proposes that music teachers should have their students practice during those spare moments during the school day by using a pencil instead of their actual instrument. Explains that students can practice chromatic fingerings, memorize short pieces of music, or review scales. Gives instructions on how to "pencil practice." (CMK)
Descriptors: Bands (Music), Drills (Practice), Elementary Secondary Education, Learning Experience
Oglethorpe, Sheila – 2002
This book is a guide for music teachers whose students of instrumental keyboard music include those with dyslexia. Chapter 1 is on recognizing dyslexia, including primary and secondary symptoms, multisensory teaching, and teaching to strengths. Chapter 2 focuses on communication between pupil and teacher with sections on music as communication and…
Descriptors: Auditory Perception, Dyslexia, Elementary Secondary Education, Memorization

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