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Woods, Peter J. – Review of Education, Pedagogy & Cultural Studies, 2021
Within the growing body of literature focused on the cultural space surrounding punk music, an increasing number of scholars have examined do-it-yourself (DIY) music cultures through the lens of curriculum theory and education research more broadly. Extant research into punk pedagogy has largely failed to investigate one particular cornerstone of…
Descriptors: Music, Cultural Influences, Performance, Music Activities
Yoo, Hyesoo – Music Educators Journal, 2017
Multicultural choral music has distinct characteristics in that indigenous folk elements are frequently incorporated into a Western European tonal system. Because of this, multicultural choral music is often taught using Western styles (e.g., "bel canto") rather than through traditional singing techniques from their cultures of origin.…
Descriptors: Music Education, Singing, Teaching Methods, Cultural Awareness
Davidson, Jane W. – Psychology of Music, 2012
The research literature concerning gesture in musical performance increasingly reports that musically communicative and meaningful performances contain highly expressive bodily movements. These movements are involved in the generation of the musically expressive performance, but enquiry into the development of expressive bodily movement has been…
Descriptors: Nonverbal Communication, Music, Program Effectiveness, Music Education
Smith, Terry Fonda – General Music Today, 2011
The number of professional ensembles and organizations with dedicated outreach concerts has been steadily increasing over the past decade. More recently, educational concerts pairing chamber music with young children have been documented. The work presented in this article is a study in the efficacy and feasibility of this format. Various music…
Descriptors: Music Education, Musical Instruments, Music Activities, Audiences
Peer reviewedGriffis, Janet Tupper – Music Educators Journal, 1973
Compares some inadequate and uninteresting music with music that is creative and stimulating, and considers the musical values of audiences. (RK)
Descriptors: Audiences, Music Activities, Music Appreciation, Music Techniques
Peer reviewedHolbrook, Morris B.; Bertges, Stephen A. – Communication Research--An International Quarterly, 1981
Developed a model and tested the following hypotheses: (1) esthetic features--tempo, rhythm, dynamics, and phrasing in piano performance--are accurately perceived by audience members and (2) such perceptual veridicality does not depend upon one's degree of education/training and is therefore shared by critics and audience members. (PD)
Descriptors: Audiences, Auditory Perception, Communication (Thought Transfer), Communication Research
Pitts, Stephanie – International Journal of Education & the Arts, 2005
This article considers the effectiveness and implications of the "Powerplus" composing project, in which teenage students were asked to write for a chamber ensemble in preparation for a public concert of their work. The perspectives of all participants are considered, with a view to understanding i) the developing identities of young…
Descriptors: Musicians, Music Education, Music Activities, Musical Composition

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