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Showing 1 to 15 of 38 results Save | Export
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Lierin Buelens; Joris Vlieghe; Thomas De Baets; Wiebe Sieds Koopal – Philosophy of Music Education Review, 2023
In this paper we discuss the musical work of classical composer Benjamin Britten as a lasting legacy for public music education. Our starting point is the contemporary urgency to rethink both public music education in general, and the public-educational significance of Western classical music in particular, in the face of the dual threats posed by…
Descriptors: Music Education, Educational Philosophy, Classical Music, Musical Composition
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Vlieghe, Joris; Zamojski, Piotr – Ethics and Education, 2020
In this article, we argue that it is possible to approach teaching from a fully affirmative perspective: as an educational practice that has its own internal logic and intrinsic value. By analysing a fragment from one of the Leonard Bernstein's Young People's Concerts presented in this article as a teaching event, we show that when starting from…
Descriptors: Teaching Methods, Case Studies, Educational Practices, Educational Philosophy
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Muhonen, Sari – British Journal of Music Education, 2016
The study reported in this article investigates students' experiences (n = 41) of their primary school songcrafting, examining the potential to support creative agency within school music education programmes. Songcrafting refers to a collaborative composing practice in which everyone is considered to be a capable creator of melodies and lyrics,…
Descriptors: Music Education, Student Experience, Cooperative Learning, Creative Activities
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Kratus, John – Music Educators Journal, 2016
Songwriting is a form of composition that relates directly to adolescents' personal experience of music. This article provides a rationale for establishing courses in songwriting at the middle school and high school levels. Other topics in the article include curriculum development, instructional procedures, and assessment. The article ends with…
Descriptors: Music Education, Secondary School Curriculum, Singing, Musical Composition
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Gerben, Chris – Across the Disciplines, 2015
Many disciplines share similar terminology for making: creating, composing, writing, and authoring. The last term authoring, however, is problematic in how it privileges an end goal of individual authority and reward. To interrogate this term, and argue for its importance in future collaborative, interdisciplinary work, this article examines a…
Descriptors: Visual Arts, Musical Composition, Interdisciplinary Approach, Course Descriptions
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Zaffini, Erin Dineen – General Music Today, 2015
General music teachers might be faced with formal performance expectations placed on them by administrators. While performance expectations are common in performance-based ensembles, meeting these expectations can be cumbersome and daunting to those who serve in the realm of general music. Informances--informative presentations of student learning…
Descriptors: Music Education, Music Techniques, Teaching Methods, Educational Practices
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Craig, Todd – Changing English: Studies in Culture and Education, 2015
Prompted by a moment in the classroom in which the DJ becomes integral for the writing instructor, this article looks at how the hip-hop DJ and hip-hop DJ/Producer become the intrinsic examples for first-year college writing students to think about how they conduct revision in their writing. After a review of two seminal hip-hop books and other…
Descriptors: Revision (Written Composition), Popular Culture, College English, Teaching Methods
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Bledsoe, Ryan N. – General Music Today, 2015
School music programs are changing. For years the music education profession has emphasized large ensemble experiences for reasons that include quality of music making, sense of community, and individual and collective pride for many of the students involved. As a high school saxophonist, I valued that experience, but other high school…
Descriptors: Music Education, Music Activities, Musical Composition, Musicians
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Holmes, Alena; VanAlstine, Sharri – Music Educators Journal, 2014
International-mindedness is defined in many different ways in education discourse. Some of the definitions include the ability to be open-minded and respectful of cultures and peoples or having an awareness of the interconnectedness of people not only intellectually but also with growing empathy. Do music educators have any role in helping…
Descriptors: Interdisciplinary Approach, Music Education, Teaching Methods, Global Education
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Fowler, Andrew – British Journal of Music Education, 2014
"Music is both a creative and a performing art" (Hallam, 2006, p. 70). Many musicians and music educators maintain that composing and performing, although related, are essentially different aspects of musical activity. In the professional musical sphere, composition and performance are almost invariably separated; academic studies have…
Descriptors: Foreign Countries, Music Education, Musical Composition, Theater Arts
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Lum, Chee-Hoo; Stromberg, Dirk; Xueyan, Yang – Research Studies in Music Education, 2014
The purpose of this research study is an examination of a music artist-teacher's pedagogical approaches and practices in teaching composition to a Year 5 IB (International Baccalaureate) class in a Singaporean specialized arts school. The study is approached as a qualitative case study spanning a 5-month period involving observation and recording…
Descriptors: Foreign Countries, Music Education, Teaching Methods, Educational Practices
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Nash, Sandra – Australian Journal of Music Education, 2014
Kindergartener and Dalcroze teacher, Heather Gell (1896-1988), brought music to thousands of Australian children and adults. The community touched by Gell was vast: it included her classes in studios and teacher training colleges, "listeners in" to her radio programs, viewers of her television programs, Dalcroze trainees, and people in…
Descriptors: Music Education, Specialists, Music Teachers, Profiles
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Hargreaves, Wendy – International Journal of Music Education, 2012
Idea generation is an integral component of jazz improvising. This article merges theoretical origins and practical experiences through the examination of two seminal works from Pressing and Sudnow. A comparative analysis yields three common sources with distinct characteristics. The greater body of jazz literature supports this potential link…
Descriptors: Music, Creative Activities, Comparative Analysis, Educational Practices
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Abramo, Joseph Michael; Austin, Stephen C. – Research Studies in Music Education, 2014
By exploring "the trumpet" as a metaphor, a successful mid-career instrumental teacher and a teacher educator jointly conducted a narrative inquiry into pedagogy used with a high school composition class. In particular, they focused on the dilemmas that arose when, within this class setting, the instrumental teacher implemented informal…
Descriptors: Music Education, Music Teachers, High Schools, Secondary School Teachers
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Steele, Meg – Social Education, 2014
Sheet music, song lyrics, and audio recordings may not be the first primary sources that come to mind when considering ways to teach about changes brought about by technology during westward expansion, but these sources engage students in thought provoking ways. In this article the author presents a 1917 photograph of Mountain Chief, of the Piegan…
Descriptors: Student Interests, Primary Sources, American Indian Culture, American Indian History
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