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Silverman, Marissa; Davis, Susan A.; Elliott, David J. – International Journal of Music Education, 2014
Since its publication in 1995, a significant literature has developed around David J. Elliott's praxial philosophy of music education, as explained in "Music Matters: A New Philosophy of Music Education." This literature includes a range of commentaries in journals, books, edited books, and dissertations. Although Elliott has…
Descriptors: Music, Music Activities, Music Education, Values
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Augustyniak, Sylvana – International Journal of Music Education, 2014
This article, based on my PhD empirical study, was conducted in a qualitative and holistic approach. It had examined how students had used formal and informal strategies, styles and situations while improvising and composing for the research task. Eighteen research groups made up of a total of 40 males and nine females had participated in…
Descriptors: Foreign Countries, Adolescents, Music, Music Education
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Sanders, Harlow Stewart – Change: The Magazine of Higher Learning, 2011
In this article, the author shares his experience with Burent Arel, an established composer of orchestral, chamber, and classical electronic music. At first, the author found the music of the 20th century deeply disturbing. Yet, Professor Arel converted him and his skepticism into evangelical fervor. Finally understanding the role of the artist in…
Descriptors: Music, Artists, Perspective Taking, Western Civilization
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Riley, Patricia E. – Research and Issues in Music Education, 2013
This case study consisted of an examination of the perspectives of students, teachers, and administrators at the Shuangling Primary School, a rural Chinese school in Shaanxi Province, as they relate to themes of China's most recent curricular reform efforts. The intent was to understand these perspectives and determine how to best assist teachers…
Descriptors: Foreign Countries, Music, Music Education, Music Teachers
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Barrett, Margaret – Journal of Aesthetic Education, 2002
In this essay, the author describes her view of the concept of the aesthetic in music education as "essentially contested" and subject to reinterpretation. She attempts to expand "traditional" notions of the aesthetic in music education beyond a view of the aesthetic transaction as "passive," focused on audience-listening for traditional…
Descriptors: Music Education, Aesthetics, Aesthetic Education, Context Effect