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Kayis, Mert; Hardalaç, Naciye; Ural, A. Berkan; Hardalaç, Firat – African Educational Research Journal, 2021
Makams of Classical Turkish Music have been tried to be classified through various studies for the past years. Significant differences of opinion have emerged in the classification process of the makams in Music Education and Literacy from past to present. This situation creates problems in learning the makams related to music education and…
Descriptors: Foreign Countries, Folk Culture, Music Education, Classification
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Kari K. Veblen; Janice L. Waldron – Visions of Research in Music Education, 2023
With the rise of the internet, work from the of fields of digital sociology, communications/social media studies, and online research methods have become increasingly relevant for music education scholars both investigating and facilitating music teaching and learning in online contexts. While opportunities for online music making, teaching, and…
Descriptors: Sociology, Music, Electronic Learning, Social Media
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Hopkins, Michael T. – Music Education Research, 2019
The purpose of this study was to apply Fautley's model-- [Faultley, Martin. 2005. "A New Model of the Group Composing Process of Lower Secondary School Students." "Music Education Research" 7 (1): 39-57. doi:10.1080/14613800500042109]of the group composing process to the analysis of a collaborative composing project in a lower…
Descriptors: Musical Composition, Group Activities, Musicians, Grade 7
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Wong, Sarah Shi Hui; Low, Amanda Chern Min; Kang, Sean H. K.; Lim, Stephen Wee Hun – Journal of Research in Music Education, 2020
The ability to recognize and distinguish among varying musical styles is essential to developing aural skills and musicianship. Yet, this task can be difficult for music learners, particularly nonexperts. To address this challenge and guide music education practice, this study drew on cognitive psychological principles to investigate the effect of…
Descriptors: Music Education, Musical Composition, Music Appreciation, Listening Skills
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Elkoshi, Rivka – Music Education Research, 2021
This study deals with the meaning that musicians and non-musicians attach to two contemporary railway noise compositions as conveyed through verbal and audio-graphic responses. The purpose of this mixed-method study was twofold: (1) to examine similarities and differences between musicians and non-musicians in their responses to contemporary…
Descriptors: Acoustics, Music Education, Musical Composition, Audio Equipment
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Beheshti, Setareh – International Journal of Music Education, 2010
Finding new repertoire poses endless obstacles for musicians. Often the search for an unknown piece or composer presents such an unforeseen challenge that the actual aesthetic and technical success of the work becomes secondary. A major contributing factor is the lack of an accessible and centralized database. Many notable bibliographic reference…
Descriptors: Musical Composition, Check Lists, Performance, Databases
Bower, Calvin – Music Educ J, 1970
Descriptors: Choral Music, Classification, Libraries, Musical Composition
Creston, Paul – Music Educ J, 1970
Mass media has made it possible for all members of the public to listen to and enjoy good music. (CK)
Descriptors: Classification, Creative Expression, Mass Media, Music
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Barrett, Margaret – Bulletin of the Council for Research in Music Education, 1999
Explores a tentative typology of young children's invented notations proposed in a previous study transferred across another group of musically naive kindergarteners. Extends the previous study by including notation of known and original song material. A modal dissonance was found in the children's notations of known and original songs. (CMK)
Descriptors: Child Development, Classification, Classroom Research, Higher Education
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O'Flynn, John – International Journal of Music Education, 2006
This article examines the division of music styles according to the conventional categories of classical, traditional and popular, and proposes the term "vernacular" as a complementary way of viewing various types of amateur music-making among diverse groups in modern societies. "Vernacular", as it is used here, includes the…
Descriptors: Music Education, Music, Musical Composition, Music Techniques
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Thorisson, Thorir – Bulletin of the Council for Research in Music Education, 1997
Compares the effects of explicit training in classical and romantic styles, the relevance of four musical dimensions, and the congruence of categorizations with predictions of exemplar- or prototype-theories of concept formation. Explains that subjects in both the exemplar and prototype groups relied on independently abstracted cues rather than…
Descriptors: Classical Music, Classification, Educational Research, Evaluation Criteria
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Strand, Katherine – Journal of Research in Music Education, 2006
The primary purpose of this study was to examine composition practices in public schools across the state of Indiana, to investigate who incorporates composition and why they chose to use or not use composing tasks. A second purpose was to learn if teachers had an operational definition for composition. Three hundred thirty-nine teachers…
Descriptors: Musical Composition, Music Teachers, Music Education, Teaching Methods