Research in the development of musical perception is described. It is crucial to students' experience that they learn to bring to the surface those "invisible" ideas inherent in music development such as clapping a rhythm or singing a tune. In this way they learn to bridge the gap between intuitive knowledge and the representation of this…

This is the sixth in a series of technical research reports by the Harvard Project Zero which study artistic creation and comprehension as a means toward better art education. (See related documents SO 008 705 to 008 709.) This paper examines the ways in which music can refer in various ways to itself or to extramusical things. It outlines the…

This commentary examines the primary types of music analysis. Although the study focuses mainly upon individual trends and schools of thought, some attention is given to the evolution of ideas within the field. Methodologies are considered in the light of their applicability to individual or classroom analysis by students. From the most…

This is the fourth in a series of technical research reports by Harvard Project Zero which study artistic creation and comprehension as a means toward better art education. This particular study examines children's sensitivity to musical styles. Twenty children at age levels ranging from 6 through 19 years participated in the study which measured…

Reiterates the common wisdom of teaching the musical sounds before the corresponding signs in early music education. Stresses the phenomenological importance of teaching the relationships among the sounds as part of a tonal unit. Advocates beginning music education with the students' specific musical culture. (MJP)

Presents 44 entries from a modern composer and music professors' journal, culled from 1993 to the present. Includes comments and criticisms of composers and musicians, as well as philosophical and practical observations. (MJP)