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Ting Yao; Zhongya Qin – Cambridge Journal of Education, 2024
This study aims to assess personal creativity and the development of higher-order thinking skills in improvisation. The authors evaluated higher-order thinking skills in music improvisation and creativity of improvised musical compositions. The results of the t-test showed significant progress in both creativity and thinking skills among students…
Descriptors: Music, Creative Activities, Music Education, Thinking Skills
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Levy, Ian P.; Cook, Amy L.; Emdin, Christopher – Professional School Counseling, 2018
This article explores a model for school counselors to capitalize on the therapeutic, empowerment-oriented nature of hip-hop practices to engage in youth participatory action research (YPAR). Drawing from research that supports the use of hip-hop therapy and YPAR in schools, we propose a culturally sensitive group counseling process wherein…
Descriptors: Models, School Counseling, Music, Popular Culture
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McFerran, Katrina – Prevention Researcher, 2011
Music therapy is a promising intervention with bereaved youth. In comparison to other programs, it appears particularly effective for promoting the resolution of grief-related feelings; providing opportunities to express and release feelings through musical participation. Descriptions from music therapy participants are supported by research…
Descriptors: Intervention, Creativity, Grief, Music
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Portowitz, Adena; Peppler, Kylie A.; Downton, Mike – International Journal of Music Education, 2014
This article reports on the practice and evaluation of a music education model, In Harmony, which utilizes new technologies and current theories of learning to mediate the music learning experience. In response to the needs of twenty-first century learners, the educational software programs Teach, Learn, Evaluate! and Impromptu served as central…
Descriptors: Foreign Countries, Music, Music Education, Technology Uses in Education
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Fautley, Martin – International Journal of Music Education, 2004
In this article, case studies of teacher interventions in the composing processes of school students aged 11-14 in generalist music classes are described and discussed. The study finds that music teachers have developed their own strategies for formative assessment, unaware that these are valorized by external agencies. (Contains 3 figures.)
Descriptors: Foreign Countries, Music Education, Early Adolescents, Musical Composition