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Zabanal, John Rine A. – Update: Applications of Research in Music Education, 2021
The purpose of this study was to examine invited orchestras and their selected repertoire at the Midwest Clinic from 1990 through 2019. A majority of invited orchestras (N = 261) were from the United States and primarily consisted of high school musicians. The most performed piece for full orchestra was "Symphony No. 8, op." 88 by Dvorák…
Descriptors: Musicians, Music Activities, Musical Instruments, Music
Hardalaç, Naciye; Eyyuboglu, Halil Tanyer – African Educational Research Journal, 2020
In Turkish music, it is possible to find different makams sharing the same core scale of notes. The subjects of this study are three such makams, namely Acem Küdri, Kürdi, Muhayyer Kürdi. We use computational analysis based on histograms, pattern search and dynamic time warping to reveal the similarities and dissimilarities of these three makams.…
Descriptors: Folk Culture, Music, Foreign Countries, Musical Composition
De Los Ríos, Cati V.; Seltzer, Kate; Molina, Arturo – Applied Linguistics, 2021
Changing demography in the Southwest USA has shifted the racial compositions of many neighborhoods that were once predominantly African American to majority Latinx immigrant communities (Orfield and Frankenberg 2014). Today, it's common for these two youth communities to learn side-by-side in urban and suburban classrooms where they are often…
Descriptors: Racial Composition, Geographic Regions, African American Students, Hispanic American Students
Peer reviewedMcKeachie, W. J. – American Psychologist, 1981
Reviews themes of a 1979 conference held at the University of Michigan. Papers presented dealt with mental structures involved in the comprehension and production of music, and covered individual differences, development in children, and cultural variations. (Author/GC)
Descriptors: Children, Cognitive Processes, Conferences, Cultural Differences
Prouty, Kenneth E. – Research and Issues in Music Education, 2004
This essay examines how jazz educators construct methods for teaching the art of improvisation in institutionalized jazz studies programs. Unlike previous studies of the processes and philosophies of jazz instruction, I examine such processes from a cultural standpoint, to identify why certain methods might be favored over others. Specifically,…
Descriptors: Music, Creative Activities, Cultural Differences, Cultural Context

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