We introduce, motivate, and exemplify a proposed theoretical construct guiding the design and facilitation of collaborative geometry activities, conceptually generative perspectival complementarity (CGPC). Participants in CGPC activities learn content by negotiating their respective perceptions of situated features they manipulate to accomplish…

Video recordings of instruction have been a mainstay for supporting conversations about teaching by representing particularities of instruction and by presenting the viewer with a multitude of details for interpretation. In this essay, we contrast non-fictional videotapes of actual classroom interaction with fictional animations of classroom…

As the end result of metaphysics, the Kantian and constructivist mind is not present in the world but withdrawn into the netherworld of its representations and constructions. First phenomenology then the embodied cognition research showed how there could be no cognition without the human body. There is something unsatisfying and lacking, however,…

Some ways of thinking and acting geometrically are described which are related to the approach used by ancient humans. The focus is on intuitive geometric imagery, an attempt to resurrect a way of describing possible viewpoints of geometry outside of those commonly accepted. (MP)

Reviews the book by Michel Serres, "Hermes: Literature, Science, Philosophy." Discusses Serres' ideas about the history of science and mathematics, mathematical discourse, the double writing of geometry, and the applications of mathematics in the human response to the world. (MDH)

In this article, the author comments on the article "Solid geometry in the works of an iron artisan,'" Castro, 23(3). The author finds it interesting to read about the implicit mathematical knowledge of ironworkers, weavers, tailors and other practitioners as they undertake their various crafts and professions. In the article, Fernando…

Presented is an edited transcript of an interview with Dr. Caleb Gattegno exploring the teaching approaches used in a film of the same name. (MP)