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LoMonico, Michael – English Journal, 2012
Why do educators teach literature? The author thinks they can hear the answer in the voice of Huckleberry Finn and David Copperfield and Holden Caulfield and the omniscient narrator in "Beloved." It's the wonderful sound of those words, the gorgeous flow of those well-crafted sentences, and the marvelous way Twain and Dickens and Morrison and…
Descriptors: English Instruction, Literary Criticism, Literature Appreciation, Literary Styles
Peer reviewedWyile, Andrea Schwenke – Children's Literature in Education, 1999
Probes the complicity that results from the act of narrative engagement which, in a first-person narrative, can create a close relationship between the reader and the writer. Distinguishes among three types of first-person narration using the terms "immediate-engaging-first-person,""distant-engaging-first-person," and…
Descriptors: Adolescent Literature, Childrens Literature, Elementary Secondary Education, Literature Appreciation
Peer reviewedFowler, Lois Josephs; Pesante, Linda Hutz – English Journal, 1989
Shows how to help students fill in textual "gaps" to interact more fully with contemporary texts, classics, and myths. Presents examples of this approach for studying (1) Shakespeare's "Hamlet" with Tom Stoppard's "Rosencrantz and Guildenstern Are Dead"; and (2) George Bernard Shaw's "Pygmalion" with the…
Descriptors: Classics (Literature), English Instruction, Films, Literature Appreciation
Peer reviewedGolden, Joanne M. – Linguistics and Education, 1988
Presents the theoretical framework for examining texts in educational contexts. An actual reading lesson is analyzed in terms of the text structure and content, the nature of student-teacher interaction with the text, and post-reading discussion of the text. Tables outline the text structure and contrast teacher manual recommendations to actual…
Descriptors: Basal Reading, Comparative Analysis, Grade 6, Intermediate Grades

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