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Brinck, Lars – International Journal of Music Education, 2018
This article reports long-term fieldwork on jamming funk musicians' interaction from a combined anthropological, ethnographic, and grounded theory perspective. The study draws from over 20 years of data collection through personal interviews with New Orleans funk musicians, personal experiences with jamming and second-lining, and participant…
Descriptors: Music, Musicians, Music Activities, Longitudinal Studies
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Kruse, Adam J. – Music Education Research, 2018
With the aim of diversifying popular music education scholarship, this article explores the phenomenon of hip-hop musical learning as experienced by eight American hip-hop musicians who describe how as well as with whom they learned to create and perform. The study explores issues related to learning processes, social relationships, and the role…
Descriptors: Music Education, Popular Culture, Musicians, Learning Processes
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Bjerstedt, Sven – British Journal of Music Education, 2016
Theoretical approaches to learning in practice-based jazz improvisation contexts include situated learning and ecological perspectives. This article focuses on how interest-driven, self-sustaining jazz learning activities can be matched against the concepts of stolen knowledge (Brown & Duguid, 1996) and landscape of learning (Bjerstedt, 2014).…
Descriptors: Music Education, Music, Creative Activities, Music Activities
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Blom, Diana – Australian Journal of Music Education, 2016
This study investigates the compositional and contextual thinking of composer, Stuart Greenbaum, and the preparatory thinking, and teaching experience of pianist, Yvonne Lau, in the preparation of the solo piano work, "First Light". Adopting a practice-informed interview approach with questions drawn from the researcher's own preparation…
Descriptors: Music Education, Musical Composition, Learning Processes, Interviews
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Marin, Cristina; Echeverria, Ma Puy Perez; Hallam, Susan – British Journal of Music Education, 2012
Musical scores constitute a key element in the development of expertise in musicians from western tonal traditions, since they act as a mediator between the performer and the music itself. Our aim was to study the role of musical scores in instrumental performance practice by analysing the process of learning a new piece of music, as well as the…
Descriptors: Expertise, Music Education, Student Attitudes, Musicians
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Petersson, Gunnar; Nystrom, Maria – International Journal of Music Education, 2011
The question of competence in providing music therapy has rarely been the focus of interest in empirical research, as most music therapy research aims at measuring outcomes. Therefore, the aim of this study is to analyse and describe musicians' learning processes when they study music therapy as a caring intervention. An initial presumption is…
Descriptors: Music, Musicians, Experiential Learning, Learning Processes
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Locke, Millie; Locke, Terry – Thinking Skills and Creativity, 2012
This article reports on a case study where a professional musician was assigned to a primary school as mentor in a project where 14 primary-aged children, with their teacher's direction, were involved in the composition of a piece of music that would act as prologue to the school's major production. The researchers were interested in aspects of…
Descriptors: Music Education, Mentors, Music, Musicians
Morford, James B. – Online Submission, 2007
Music teachers are often influenced by pedagogical practices in the collegiate ensembles in which they performed. Opportunities to participate in collegiate world music ensembles have increased in recent decades; West African ensembles and steel bands represent the second and third most common of these in the United States. The absence of…
Descriptors: Teaching Methods, Musicians, Learning Processes, Music
Liu, Chia-Hui – Journal for the Education of the Gifted, 2008
The purpose of this study was to investigate the development of the learning experiences of gifted young string players in Taiwan. Nine musicians under the age of 40, who had been accepted into music programs for the gifted, were invited to discuss their experiences and the development of their careers. Thorough interviews were conducted and then…
Descriptors: Grounded Theory, Music, Gifted, Musicians
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Nielsen, Klaus – International Journal of Education & the Arts, 2006
Inspired by studies of apprenticeship and theories of situated learning, this study argues that learning should be understood in relation to ongoing social practice. Using interview material and participant observation studying piano students' learning at the Academy of Music in Aarhus, it describes how transparency and access to the music culture…
Descriptors: Apprenticeships, Music Education, Participant Observation, Interviews
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Johnsson, Mary C.; Hager, Paul – Journal of Workplace Learning, 2008
Purpose: This paper aims to examine the nature of learning discovered by recent graduates participating in a symphony orchestra-initiated development program that is designed to nurture them through the transition to becoming professional orchestral musicians. Design/methodology/approach: Using a qualitative case study approach, the authors…
Descriptors: Music Education, Musicians, Young Adults, Transitional Programs
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Dibben, Nicola – British Journal of Music Education, 2006
Research into student experience in Higher Education has largely focused on students' role as learners. However, the student experience encompasses a much wider range of behaviours and beliefs than can be captured through a focus on teaching and learning alone. I report the findings of a research project which explored student experience in the…
Descriptors: Foreign Countries, Music Education, Middle Class, Social Class