A subtle revolution in the goals and methods of education, which has been occurring in the United States since the early 1960s, emphasizes both creative problem solving and creative expression. This booklet discusses this creativity and explores the evidences of change in educational objectives, teaching methods, curriculum and instructional…

Visual thinking has been neglected with the increasing emphasis on verbal and analytical skills. There is a need to provide balance in curriculum content and instructional evaluation related to visual imagery skills. In order to draw upon students' diverse talents and thinking capacities, educators must honor and respect alternative thinking and…

The humanistic value of expressive discourse should form the basis for reinstating composition in the curricula of higher education. Educators must realize that the process of thinking that goes on before an assertion or statement of purpose is written is related to the familiar prewriting concept; that approaches to invention are as various as…

Lists and discusses factors that contribute to creativity theory, such as analogy, archetypes, symbols, conditions that foster creativity, and syntactic fluency. (RL)

Each spring, the Friends of the Library of the University of Waterloo Library invite the campus community to join in an event celebrating the creative process. The event reflects the day-to-day work of the library staff: bringing together information from a diverse range of disciplines for the purpose of creating new knowledge. This book includes…

The principles used by Tim Gallwey in his books "The Inner Game of Tennis" and "Inner Tennis" can be applied to the teaching and learning of writing. The objective is to overcome mental obstacles which our conscious ego puts in the way of our creative self. Such obstacles as fear, lack of self-confidence, lack of concentration, trying too hard,…

A college professor who invites his students to consider how creativity is at the heart of teaching offers thoughts on creativity. Everyone can learn creatively; creative approaches are essential to learning; there are many ways to learn; in school there is too much fragmentation; the creative teacher does not always know what will happen; and to…

Arguing that creativity in doctoral research has been underemphasized, this article offers five principles drawn from theoretical and research literature for advisors cultivating creative dissertation work and examines each principle from three contextual perspectives: individual psychology, theoretical-methodological, and institutional. (PB)

A series of strategies called the "Synectics Model," can be used by teachers in helping students to break away from usual thought patterns and to make new connections. Its purpose is to increase creativity and to produce lateral thinking. The activities employed involve the use of metaphor. Examples of the model are provided that were…

The paucity of meaningful academic experiences for potentially or highly creative individuals prompted researchers and performing artists to meet and discuss the implications for creative opportunities in higher education. A truly creative person is thought to be independent, innovative, flexible, with a highly developed sense of the theoretical…

The focus of this program was to explore a young Native American's artistic growth and expressiveness to gain insight into how the contemporary lifestyle of this individual was affected by traditional upbringing and values. The study examined a young Navajo woman's way of life in an attempt to discover what influences affected her ability to…

Draws on six instances in which students were engaged in improvisational musical composition with peers and/or a teacher in music classroom settings. Offers an analysis of the creative process and product. Discusses the findings and the role of shared understanding in empowering independent musical thinking. (CMK)

This dissertation argues that the skill of using language to communicate should be based on the continuous development of the ability to use imagery, metaphor, and the inherently ambiguous nature of language. Since language is a symbolic restructuring of experience, any method designed to teach language arts must reflect the interplay between…

Asserts that the difference between average marching band performance and the truly memorable performances is a result of creative charting. Discusses four stages of creative thought that can be applied to marching band strategy: (1) preparation; (2) incubation; (3) illumination; and (4) verification. (CFR)

A graduate class on creativity at the University of Massachusetts was based on a European preschool program which fosters young children's learning, representation, and expression through exploration and mastery of many symbolic media. The class documented nature explorations, repeated experiences to delve deeper into them, and integrated the…