This document proposes and presents a new concept in music notation. Consisting of three separately-bound parts, the first part presents the rationale for the new musical notation in the form of a dialogue between two people who discuss what the ideal musical notation would be: the subject of unmetered durations and articulations, the…

Examines an effective method of curing tsumari, a phenomenon whereby the first note in a sequence of two eighth-notes is performed shorter than the second note. Considers two possible causes: (1) insufficient motor skill control and (2) a lack of steady beat perception. Reveals a reduction in tsumari after procedural instruction. (CMK)

Investigates how accurately children, ages 6-9 from England, Japan, Korea, Spain, and the United States, could match eight animal drawings to excerpts from the well-known concert music, "The Carnival of the Animals" by Charles Camille Saint-Saens. Indicates a mean correct response of 40% without instruction. Discusses two extension…

Explores whether the basic song repertoire of vocal/choral music education majors is significantly better than instrumental music education majors. Participants attempted to identify 25 standard songs. Reveals no significant difference between the two groups, indicating that neither had developed a strong repertoire of songs. (CMK)

Students' understanding of musical style periods was assessed at Liberty Baptist College. The investigation was prompted by evidence suggesting that non-music majors who complete a music appreciation course understand a broad overview of music history better than music majors who complete music history courses. Compared to the music history…

Examines experienced and inexperienced teachers' perceptions of band music content and quality in three experimental settings. Provides information about how teachers critique band music for curricular use. Suggests that preservice teachers may possess abilities similar to experienced teachers concerning decisions about mid-level band works.…

Examines the effect of instruction in the use of specific rhythmic nuances on the timings of a musical performance. Forty volunteer upper-division and graduate students performed Johann Sebastian Bach's Suite no. 3 for Violoncello solo, Bouree no. 1, using a computer software program. Discusses the results. (CMK)

Explores whether listeners can discern if melodic, harmonic, and rhythmic parameters and pairings of these parameters are abstracted from the ongoing flow of a musical event. Reports that students in grades 3, 6, and 9 identified phrases as being the same as the initial phrase; grade 12 students identified different phrases more often. (CMK)