This chapter describes a pedagogical approach that blends theory and practice in upper-level French film classes, but the objectives, design, and assignments are applicable to many contexts in which instructors might want to engage with visual material. Reading, viewing, writing, lecture, and discussion combine with practical filmmaking workshops…

Discusses the technical considerations that should be dealt with regarding the quality of original films and duplication of films. A sample questionnaire dealing with these questions is included. (CHC)

Discusses how the grip of the Soviet Union's past--from Stalinist mythology to ideological cliche--is being exposed and undermined whereas a sense of individual efficacy, necessary for the present, has yet to emerge from the portrayals in Soviet films. (PRA)

A study of film translation. Well-documented opinions are given on the advantages and disadvantages of both dubbing and sub-titling. One of the tentative conclusions is that sub-titling is to be preferred because it preserves the original dialogue and allows the audience verying degrees of comprehension. A bibliography is provided. (AMH)

Sixteen millimeter motion pictures dealing with Japan are listed alphabetically by title and annotated. Length of film, whether color or black and white, and name of producer or distributor is given for each, and a subject index is provided. Films produced before 1960, "sponsored" films, and 35 mm filmstrips are listed without…

The thesis of this classic, the major part of which was originally published in 1933, is that the peculiar virtues of film as art derive from an exploitation of the limitations of the medium: the absence of sound, the absence of color, the lack of three-dimensional depth. Silent-film artists made virtues of these necessities and were on their way…

Recent social and political changes in the USSR have made available some 60 previously unreleased films, which were produced during the last 20 years and withheld from release by the Union of Soviet Filmmakers. In 1986, much of this group's leadership was removed leading to an atmosphere more favorable to wider distribution. Some of these films…

This second edition of "A Short History of the Movies" includes expanded information and judgments about some of the "old masters" of film; an updated discussion of the "new masters"; and new sections on Japanese, Indian, and Czech cinema. In general, this history reveals significant trends in film history. American…

Prefaced by a brief discussion of early films and film criticism, 10 essays treat selected modern directors and their works. Essays on Stanley Kubrick's "Lolita," the early works of Elia Kazan, and the response of French critics to Jerry Lewis explore the American scene, while Francois Truffaut's "Jules and Jim," the early work of Robert Bressen,…

This book covers the life and aesthetic qualities of the work of the European film-maker Jean-Marie Straub (1933- ). It contains introductory chapters on the biography and artistic milieu of Straub and continues with a chapter-by-chapter critical treatment of each of his films: "Machorka-Muff"; "Not Reconciled"; "Chronicle…

This biography of Sergei M. Eisenstein records the life of this pioneering Soviet filmmaker and concentrates upon the events in Eisenstein's life which motivated him to create films in the methods he chose. A chapter is devoted to each of Eisenstein's major films. His creative techniques are explored along with his relationship with other major…