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Kayis, Mert; Hardalaç, Naciye; Ural, A. Berkan; Hardalaç, Firat – African Educational Research Journal, 2021
Makams of Classical Turkish Music have been tried to be classified through various studies for the past years. Significant differences of opinion have emerged in the classification process of the makams in Music Education and Literacy from past to present. This situation creates problems in learning the makams related to music education and…
Descriptors: Foreign Countries, Folk Culture, Music Education, Classification
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Wong, Sarah Shi Hui; Low, Amanda Chern Min; Kang, Sean H. K.; Lim, Stephen Wee Hun – Journal of Research in Music Education, 2020
The ability to recognize and distinguish among varying musical styles is essential to developing aural skills and musicianship. Yet, this task can be difficult for music learners, particularly nonexperts. To address this challenge and guide music education practice, this study drew on cognitive psychological principles to investigate the effect of…
Descriptors: Music Education, Musical Composition, Music Appreciation, Listening Skills
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Elkoshi, Rivka – Music Education Research, 2021
This study deals with the meaning that musicians and non-musicians attach to two contemporary railway noise compositions as conveyed through verbal and audio-graphic responses. The purpose of this mixed-method study was twofold: (1) to examine similarities and differences between musicians and non-musicians in their responses to contemporary…
Descriptors: Acoustics, Music Education, Musical Composition, Audio Equipment
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O'Flynn, John – International Journal of Music Education, 2006
This article examines the division of music styles according to the conventional categories of classical, traditional and popular, and proposes the term "vernacular" as a complementary way of viewing various types of amateur music-making among diverse groups in modern societies. "Vernacular", as it is used here, includes the…
Descriptors: Music Education, Music, Musical Composition, Music Techniques
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Thorisson, Thorir – Bulletin of the Council for Research in Music Education, 1997
Compares the effects of explicit training in classical and romantic styles, the relevance of four musical dimensions, and the congruence of categorizations with predictions of exemplar- or prototype-theories of concept formation. Explains that subjects in both the exemplar and prototype groups relied on independently abstracted cues rather than…
Descriptors: Classical Music, Classification, Educational Research, Evaluation Criteria