Presents a list of the various texts of Williams's plays which were published prior to 1977, including plays produced but not yet published. Notes the existence of unpublished versions of printed plays when such were used for a production. (JMF)

The teaching of film script writing--either as an end in itself or as a means of sharpening the student's visual and narrative awareness--can intensify the student's responsiveness to literature and increase his sense of continuity and consistency of point of view when writing compositions. When developing a silent screen script, students should…

Increasing interest of college students in scriptwriting suggests a need for more professional writing programs. Such programs should be directed by faculty members with experience in both writing and teaching. Writing format and techniques are two major emphases. Students can learn the proper format from accessible scripts, techniques from…

Analyzes director Richard Lester's and scriptwriter Charles Wood's efforts in adapting "How I Won the War" and "Dingo" for film. (RB)

Seventeen steps are presented for the successful production of training films and video tapes. The steps include concept, script preparation, budget, filming and recording, laboratory processing, editing, titles and narration, sound mix, corrections, manufacture of prints, and distribution. (CT)

Examines the classical paradigm in which both temporal and spatial cohesion constitute a popular and desirable characteristic in presentational story-telling. Argues that fragmentation's maneuvers are as effective as a configurating tool and as cohesion because they advance the ideological, psychoanalytic, aesthetic, essentialist, and story…

Shows how the empathy created in the audience by each of the five genres of film/video is a function of the five elements of film design: camera angle, close up, composition, continuity, and cutting. Discusses film/video script designing. Illustrates these concepts with a sample script and story board. (SR)

This Film Focus series is a collection of reviews, essays, and commentaries on the Japanese film Rashomon. The plot consists of an attack, a rape, and a robbery, all of which probably occurred during the Middle Ages. Each character relates his own version of what happened, or might have happened, revealing the outward and inner driving forces,…

Examines the published film scripts for three movies in discussing the value of reading such scripts as a part of film study in the classroom. (RD)

Suggests American screenwriters experiment with the lighting, colors, perspectives, angles, and positioning of images in works of art to generate narrative. Argues that American screenwriters, unlike European counterparts, unnecessarily adhere to the concept that characterization is essential to generate narrative. (KEH)

Examines similarities and differences between writing short, live-action narrative films and writing feature films. Examines market influence, budget, structure, and story factors. Describes useful procedures for inclusion in a scriptwriting class. (KEH)

The materials, techniques, and attitudes needed to make professional-quality movies using 8mm., super 8mm., and 16mm. amateur equipment are covered in this guide to movie-making. The pros and cons are discussed of the various makes and models of cameras and lenses. Other topics discussed are: exposure and lighting, choosing film, camera speed and…

Explains structure and its relevance for both the practice and teaching of screenwriting. (PD)

Visual scripting is the coordination of words with pictures in sequence. This book presents the methods and viewpoints on visual scripting of fourteen film makers, from nine countries, who are involved in animated cinema; it contains concise examples of how a storybook and preproduction script can be prepared in visual terms; and it includes a…

The major steps in the making of the film are presented in terms of events, time and cost. Appended are the shooting script, the shooting schedule, a sample of the film director's shooting breakdown, the editing breakdown, and the final draft of the script. (Author/SK)