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Holden, David F. – Literature/Film Quarterly, 1974
Analyzes the three literary sources of Ingmar Bergman's film, "Through a Glass Darkly," in an attempt to account for some of the film's technical weaknesses and shed light on the film's interpretation. (TO)
Descriptors: Auteurism, Film Study, Films, Foreign Language Films
Sadoul, Georges – 1973
In an attempt ot give a panorama of world cinema since its origins, this dictionary contains entries for about 1200 films from all over the world. A brief description of the plot of the film, the personnel involved in the production, and often some short, critical comments are included for each film. This dictionary is a companion volume to a…
Descriptors: Acting, Dictionaries, Documentaries, Film Study
Kane, B. M. – Modern Languages, 1972
Descriptors: Characterization, Film Study, Films, Foreign Language Films
Cowie, Peter, Ed. – 1972
Brief descriptions of film production activity in 44 countries and reviews of important films from these countries are presented, along with lists of films recently in production. A paragraph-long description of film festivals slated for 1972 is given. Sound track music available on records, 16mm films available in the United Kingdom and the…
Descriptors: Animation, Film Libraries, Film Study, Films
Martinez Torres, Augusto; Perez Estremera, Manuel – Cuadernos Hispanoamericanos, 1972
Descriptors: Acting, Characterization, Film Production, Film Study
Loubet, Christian – Pedagogie, 1971
Descriptors: Acting, Audiovisual Communications, Film Production, Film Study
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Villegas Lopez, Manuel – Revista de Occidente, 1970
Descriptors: Christianity, Film Study, Films, Foreign Language Films
Loubet, Christian – Pedagogie, 1970
Descriptors: Acting, Communism, Film Production, Film Study
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Phillips, Klaus – 1977
The Department of Germanic Languages and Literatures at the University of Illinois has offered a course on German film for more than five years. This document includes a sample syllabus featuring a listing of the films shown and discussed and an annotated bibliography of texts used, along with a selective list of German films available for rental…
Descriptors: Annotated Bibliographies, Curriculum Guides, Film Study, Filmographies
Wegner, Hart – 1977
Many feature length films and films made for television are adaptable to classroom use, especially in the arts, humanities, and social sciences, and students may accept a well-produced film (even if it is older) more readily than an inexpensively produced educational film. This booklet discusses how animated films, narrative feature films,…
Descriptors: Audiovisual Aids, Cartoons, Documentaries, Educational Resources
Arnheim, Rudolf – 1969
The thesis of this classic, the major part of which was originally published in 1933, is that the peculiar virtues of film as art derive from an exploitation of the limitations of the medium: the absence of sound, the absence of color, the lack of three-dimensional depth. Silent-film artists made virtues of these necessities and were on their way…
Descriptors: Art Appreciation, Art Expression, Film Production, Film Study
Gollin, Richard M. – Coll Engl, 1969
Descriptors: Dialogs (Literary), Drama, Dramatics, Film Production
Mast, Gerald – 1976
This second edition of "A Short History of the Movies" includes expanded information and judgments about some of the "old masters" of film; an updated discussion of the "new masters"; and new sections on Japanese, Indian, and Czech cinema. In general, this history reveals significant trends in film history. American…
Descriptors: Content Analysis, Fiction, Film Production, Film Study
Sarris, Andrew, Ed. – 1968
Prefaced by a brief discussion of early films and film criticism, 10 essays treat selected modern directors and their works. Essays on Stanley Kubrick's "Lolita," the early works of Elia Kazan, and the response of French critics to Jerry Lewis explore the American scene, while Francois Truffaut's "Jules and Jim," the early work of Robert Bressen,…
Descriptors: American Culture, Film Production, Film Study, Films
Roud, Richard – 1972
This book covers the life and aesthetic qualities of the work of the European film-maker Jean-Marie Straub (1933- ). It contains introductory chapters on the biography and artistic milieu of Straub and continues with a chapter-by-chapter critical treatment of each of his films: "Machorka-Muff"; "Not Reconciled"; "Chronicle…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Film Production
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