In this article, the author focuses on her experiences with genre analysis. This is not a new idea or assignment. But gearing the analysis specifically toward thinking about purpose significantly narrows the focus of a typical "here's what this genre is and who uses it" essay. Genre analysis asks students to think in-depth about one particular…

Describes an assignment for high school or college literature classes in which students focus on a particular character, answer a list of questions about that character, and eventually write an imagined yet realistic dialog with that character. Notes that this helps students grasp a character's complexity and depth. (SR)

Describes a writing assignment in which students read only the first two paragraphs of Charles Dickens's novel "A Tale of Two Cities" and then, after some brainstorming and prewriting, write a paragraph or two modeled on those, explaining the confusion and turmoil of the present day. Notes how Dickens's expressions become more familiar…

Describes three assignments the author uses when teaching Chaucer (suitable for college or college prep high school classes) in which students learn what iambic pentameter is by writing two rhyming couplets, a ten-line conversation in rhyming couplets, and a creative project of at least 25 rhyming couplets, all in iambic pentameter. (SR)

Describes how the author and her high school English students begin their study of Thoreau's "Walden" by mining the text for quotations to inspire their own writing and discussion on the topic, "How does Thoreau speak to you or how could he speak to someone you know?" (SR)

Describes how showing a film version of a novel, short story, or play after a class has read and talked about the text can be an interesting way to encourage students to think about the text and develop a critical stance. Offers examples from two texts and their film versions. (SR)

Argues that humor is an invaluable teaching tool in English classes. Describes how the author and her students: found humor an important means of discovering profound truths in Shakespeare's dramas; enjoyed the epic "Paradise Lost"; worked with satire in Chaucer; and used humor in students' own creative activities. (SR)

Shows how one teacher used innovative methods in teaching William Shakespeare's "Macbeth." Outlines student assignments including text renderings, rewriting a scene from the play, and creating a multicultural scrapbook for the play. (HB)

Describes one teacher's methods for introducing to secondary English students the concepts of Classicism and Romanticism in relation to pictures of gardens, architecture, music, and literary works. Outlines how the unit leads to a writing assignment based on collected responses over time. (HB)

Discusses one high school senior's fictional rendition of her family's experiences of immigration and the American myth. Describes how stories such as this one can be moving and powerful, and thus constitute a sort of "fictional dream" into which readers enter and are thereby changed. (HB)

Argues that the historical development of written narrative during the past century confounds traditional distinctions between fiction and nonfiction. Argues that students need to develop cognitive complexity. Outlines a sequence of assignments intended to destabilize students' assumptions about the difference between reality and fantasy, fiction…

Describes the approach used with high school advanced placement English classes to a nature-writing project based on the work of Henry David Thoreau and Annie Dillard. (SR)

Counters six arguments against humor in English classes. Presents arguments in support of studying humor in English classes, noting its usefulness and benefits. (SR)

Discusses writing assignments in response to literature that encourage adolescent female students to construct knowledge by allowing the self back into the process of knowing and in so doing to discover their own voices and a position of authority. Argues that through such authentic engagement with texts, young women can become more active,…

Describes the evolution of an assignment in a college-level English class in which students present to the class their analysis of lyrics to a favorite song of theirs (on a particular topic). Shows how students thereby are eased into interpretation, critical examination, and some of the principles of literature. (SR)