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Peer reviewedDeNardo, Gregory F.; Kantorski, Vincent J. – Bulletin of the Council for Research in Music Education, 1995
Studies children's use of transformation (as a cognitive process) in identifying altered musical phrases in four phrase songs. Continuous Response Digital Interface (CRDI) software was used to record the children's responses. Includes statistical tables. (MJP)
Descriptors: Cognitive Measurement, Cognitive Processes, Educational Research, Elementary Education
Peer reviewedBulletin of the Council for Research in Music Education, 1999
Contains abstracts of the papers that were presented at the Cognitive Processes of Children Engaged in Musical Activity Conference (Champaign-Urbana, IL, June 3-5, 1999). Covers topics such as children's melodic improvisations, toddlers' kinesthetic reactions to music, mother-infant play, a theory of multiple musical intelligences, and reflective…
Descriptors: Abstracts, Cognitive Processes, Early Childhood Education, Educational Research
Peer reviewedGromko, Joyce Eastlund – Bulletin of the Council for Research in Music Education, 1996
Attempts to express a group of children's understanding of inversion, retrograde, and retrograde-inversion as it applies to musical composition and color schemes. The children, ages six to nine, displayed idiosyncratic approaches to the problems. Discusses the possible implications for symbolic language and cognitive development. (MJP)
Descriptors: Children, Cognitive Ability, Cognitive Development, Cognitive Processes
Peer reviewedCooper, Nancy A. – Journal of Research in Music Education, 1995
Examines the relationship between vocal pitch accuracy and gender, grade level, and the presence or absence of an accompanying unison voice. Reveals no significant differences between unison or individual singing or for gender. Fourth and fifth graders exhibited significant differences. (MJP)
Descriptors: Age Differences, Attention, Auditory Stimuli, Cognitive Processes
Peer reviewedBartholomew, Douglas – Philosophy of Music Education Review, 1995
Reiterates the common wisdom of teaching the musical sounds before the corresponding signs in early music education. Stresses the phenomenological importance of teaching the relationships among the sounds as part of a tonal unit. Advocates beginning music education with the students' specific musical culture. (MJP)
Descriptors: Aesthetic Values, Auditory Perception, Class Activities, Cognitive Development


