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Nikolaidou, Georgia N. – Computers & Education, 2012
This exploratory work describes and analyses the collaborative interactions that emerge during computer-based music composition in the primary school. The study draws on socio-cultural theories of learning, originated within Vygotsky's theoretical context, and proposes a new model, namely Computer-mediated Praxis and Logos under Synergy (ComPLuS).…
Descriptors: Feedback (Response), Learning Theories, Creativity, Music Education
Ihrke, Walter R. – 1972
A questionnaire was sent to 276 member schools of the National Association of Schools of Music to gather information about the degree and extent of electronic technology used in music instruction. From the replies four types of electronic technology were identified: electronic piano studios, electronic music studios, computer-assisted music…
Descriptors: Computer Assisted Instruction, Educational Technology, Electromechanical Aids, Electronic Equipment
Woodruff, Ernest R.; Heeler, Phillip J. – 1993
One component of a model of creativity, the application of an understanding of elements, was explored through a study of college students applying their understanding of such musical elements as harmony, melody, rhythm, timbre, and dynamics. The 24 subjects were students in a music appreciation class, and the project was implemented using a…
Descriptors: College Students, Computer Assisted Instruction, Computer Software, Creativity
Ashton, David M. – 1973
The primary objective of this project was to design a responsive environment using a computer-controlled organ for children to learn music principles. Three secondary objectives set in the development of this environment were to create the means for: 1) entering, storing, and replaying complex music; 2) viewing the time-space relationships…
Descriptors: Computer Assisted Instruction, Computer Graphics, Developmental Programs, Educational Technology
Holland, Simon – 1987
The work described here forms part of a project using models of musical ideas within an artificial intelligence and education framework whose goal is to encourage and facilitate music composition by novices. Formal knowledge of the domain (popular music) is too incomplete and fragmented to support a traditional expert-based tutor for precisely…
Descriptors: Artificial Intelligence, Cognitive Processes, Computer Assisted Instruction, Computer Uses in Education
Holland, Simon – 1986
This paper forms part of a preliminary survey for work on the application of artificial intelligence theories and techniques to the learning of music composition skills. The paper deals with present day applications of computers to the teaching of music and speculations about how artificial intelligence might be used to foster music composition in…
Descriptors: Artificial Intelligence, Computer Assisted Instruction, Computer Science, Computer Uses in Education
Beckstead, David – Teaching Music, 1996
Explores the educational possibilities inherent in combining Musical Instrument Digital Interface (MIDI) with communications technology. A MIDI system (a combination synthesizer and computer) allows students to compose, record, experiment, and correct at one site. A MIDI file can be sent via e-mail to others for comments. (MJP)
Descriptors: Computer Assisted Instruction, Computer Mediated Communication, Computer Oriented Programs, Computer System Design

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